One More Night (arr. Philip Lawson) Sheet Music Preview

One More Night (arr. Philip Lawson): SATB Choral Octavo

As performed by Phil Collins / Arranged by Philip Lawson

Item: 35-DS00454276

Digital Download
$2.99
Description

One More Night (arr. Philip Lawson): SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 21
SKU: 35-DS00454276

More about this title

About the Artist: Phil Collins

Phil Collins emerged as one of the most commercially successful musicians of the 1980s and beyond, initially as the drummer and later vocalist for Genesis before establishing himself as a solo artist. His work spans rock, pop, and world music influences, with a career marked by both critical recognition and massive popular appeal. As a composer and performer, Collins has shaped the sound of multiple generations of popular music.

Why we love this

Philip Lawson's arrangement captures the emotional directness of Collins's original while giving it genuine choral texture. The pop sensibility remains front and center, which means your singers stay engaged with material that feels contemporary rather than adapted. This works beautifully for choirs seeking repertoire that bridges popular music literacy with solid four-part writing.

What to expect

A late-night emotional confession wrapped in sleek pop production. The arrangement preserves Collins's introspective quality while the choir provides warmth and collective presence around the central emotional truth of the lyric.

Who it's for

Any SATB choir wanting to expand beyond traditional classical or sacred repertoire without abandoning musicianship. Directors programming a diverse concert or seeking material that resonates with younger singers will find this particularly useful.

How to get the most out of it

  • Lean into the pop phrasing rather than overlegitimizing it with classical technique. The beauty here lives in conversational delivery and natural syllable weight.
  • Balance the bass line carefully during passages where it carries the harmonic movement. Your basses shouldn't disappear into accompaniment texture.
  • Let dynamics tell the emotional story. This arrangement likely uses contrast between verse and chorus to create narrative arc, so attend to the shape Lawson has written rather than defaulting to uniform volume.
  • Support your soloists or featured sections without overwhelming them. Pop arrangements often feature transparency that lets a single voice cut through the texture.

How to use it

Pair this with other contemporary or popular music arrangements to create a full set exploring modern songwriting. It works equally well as a standalone concert feature or as part of a lighter program that demonstrates your choir's range beyond concert hall standards.

Skills your students will build

  • Pop phrasing and rhythmic precision in a choral context
  • Blending contemporary harmonic language with traditional four-part writing
  • Dynamic control and textural transparency
  • Maintaining musical integrity while performing non-classical repertoire

You May Also Like