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One Giant Leap: Concert Band Conductor Score

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One Giant Leap Cover Image

One Giant Leap: Concert Band Conductor Score

By Erik Morales

Grade: 3

Item: 98-B1616S

$9.00
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One moment…

Description
Perhaps no challenge has been greater in history than setting foot on the moon. Relive those amazing moments with this piece that uses audio clips from President Kennedy, Commander Neil Armstrong and others. The ultimate multimedia adventure with endless educational potential!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444511534
SKU: 98-B1616S

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales has been composing across multiple genres since high school, when a former band director commissioned him to arrange marching band music in 1985. Born in New York City in 1966, he studied composition at Florida International University and earned his bachelor's degree from the University of Louisiana, Lafayette (1989). His catalog now exceeds 150 published works spanning wind, orchestral, jazz, and chamber ensembles, with performances featured internationally.

Morales has established himself as a significant voice in trumpet repertoire, with works that have garnered first place honors at the 2006 and 2008 National Trumpet Competitions. His Concerto for Trumpet in C and Piano premiered at the 2009 ITG conference, and a consortium-commissioned Concerto for Two Trumpets debuted at the 2013 ITG conference. In 2016, he was inducted into the Louisiana Association for Jazz Education's Hall of Fame. Throughout his career, he has balanced artistic integrity with educational access, regularly composing on commission for schools and organizations across the country.

Why we love this

This is multimedia storytelling at its core. By weaving together actual audio from Kennedy, Armstrong, and other historical figures with original music, Morales creates a piece that transcends typical concert band fare and becomes a genuine educational moment. Grade 3 bands can execute a work with real historical gravitas without sacrificing musical quality.

What to expect

Awe and forward motion. The piece captures the determination and wonder of the Apollo 11 mission through Morales's harmonic language and melodic construction, building from anticipation toward triumph. The integration of historical voices creates intimate moments of reflection before the music swells with accomplishment.

Who it's for

Concert bands at the intermediate level (Grade 3) seeking a piece that combines solid musicianship with cross-curricular storytelling. This works equally well for concert performance and contest/festival settings where programming can include educational and thematic elements.

How to get the most out of it

  • Coordinate the timing of audio clips carefully during rehearsal so the band knows exactly when to enter and exit around each recorded passage. Mark clear cues in all parts and conduct deliberate preparatory beats.
  • Balance the volume of the audio playback so it supports rather than overwhelms the band sound. Test the recording system in your actual performance venue ahead of time.
  • Shape the melodic material with purpose. The programmatic context invites genuine expression, so encourage the band to listen to the historical recordings and connect emotionally to what they're supporting musically.
  • Give the ensemble context about the Apollo 11 mission before rehearsing. Students who understand the stakes and drama of the moon landing will invest more fully in bringing the piece to life.

How to use it

Program this as a centerpiece concert work or festival selection that generates conversation beyond the performance itself. It pairs naturally with patriotic repertoire, historical themes, or STEM-focused school programming. The multimedia element makes it memorable for audiences unfamiliar with concert band, so consider it a gateway piece for family concerts or community events.

Skills your students will build

  • Ensemble synchronization with non-musical elements (audio timing and coordination)
  • Dynamic control across sectional balances
  • Interpretation of programmatic music and emotional pacing
  • Attention to intonation under expressive conditions
  • Score reading with clear cue identification

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