One (from A Chorus Line) Sheet Music Preview

One (from A Chorus Line): SSA Choral Octavo

By Edward Kleban / By Marvin Hamlisch / Arranged by Anita Kerr

Item: 35-DS00092645

Digital Download
$2.99
Description

One (from A Chorus Line): SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00092645

More about this title

About the Composer: Edward Kleban

Edward Kleban earned his place in Broadway history as the lyricist for A Chorus Line, the groundbreaking 1975 musical that revolutionized how theater told stories about performers' lives. His lyrics capture raw vulnerability and authentic emotion, moving seamlessly from introspective character moments to ensemble celebration. Kleban's work demonstrates how theatrical songwriting can achieve both popular accessibility and genuine artistic depth, making his scores invaluable for music educators seeking material that resonates with young singers.

Why we love this

This arrangement unlocks one of musical theater's most emotionally direct songs for SSA ensembles, offering a chance to explore how a single spotlight moment becomes a collective experience. Anita Kerr's voicing captures both the intimacy of the original and the power of group singing, creating natural moments for soloists to emerge while keeping the full choir engaged throughout. Your students will connect instantly to material this culturally significant and musically sophisticated.

What to expect

Personal and expansive at once. The song sits in that distinctive theatrical space where individual vulnerability transforms into collective recognition, with moments of genuine introspection interrupted by bursts of ensemble energy. The harmonic language supports both the intimate confessional quality and the moments where the full choir swells behind the storytelling.

Who it's for

Choirs at the high school level or accomplished middle school ensembles seeking Broadway repertoire with artistic substance. This works beautifully for groups ready to tackle material that demands both vocal control and emotional maturity, and for any director building a concert around contemporary musical theater.

How to get the most out of it

  • Establish the tempo as conversational, not rushed. The lyrical phrasing needs breathing room to land emotionally, so resist the urge to push the tempo forward even during ensemble sections.
  • Balance the solo line carefully against the supporting voices. When a student steps into the spotlight moment, the choir should provide harmonic foundation without competing for attention.
  • Shape the dynamic arc across the entire song rather than treating each phrase independently. Build gradually toward the emotional climax, then settle back down for the final reflection.

How to use it

Consider pairing this with other contemporary musical theater selections to create a concert exploring how modern songwriting captures authentic human experience. It also works effectively as a program closer, especially when you can feature different soloists across performances or rehearsals to emphasize the song's themes about shared artistic struggle.

Skills your students will build

  • Sustaining legit vocal production across Broadway tessitura
  • Balancing solo and ensemble roles within a single piece
  • Shaping lyrical phrasing to serve emotional storytelling
  • Managing dynamic control in music that shifts between intimate and expansive moments
  • Reading and executing rhythms that prioritize natural speech patterns over strict metric regularity

You May Also Like