One Candle: SAB Choral Octavo
Words by Andy Beck and Brian Fisher, music by Andy Beck
Item: 00-PO-0000371
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
One Candle: SATB Choral Octavo |
$2.25
|
View | |
One Candle: SSA Choral Octavo |
$2.25
|
View | |
One Candle: 2-Part Choral Octavo |
$2.05
|
View | |
One Candle: SATB Choral Octavo |
$2.25
|
View | |
One Candle: SAB Choral Octavo |
$2.05
|
View | |
One Candle: SSA Choral Octavo |
$2.25
|
View | |
One Candle: 2-Part Choral Octavo |
$2.05
|
View | |
One Candle: Choral Octavo SoundTrax CD |
$27.99
|
View |
Description
One Candle: SAB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Andy Beck

Andy Beck leads the choral publications division at Alfred Music and has composed and arranged over 450 choral works that appear in school and community choirs worldwide. His vocal resources, including Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique, have shaped how many singers approach technique and sight-reading.
Beyond the page, Beck is active as a guest conductor, clinician, and adjudicator for honor choirs across the United States and has served as a commissioned composer for all-state ensembles. A trained tenor with degrees from Ithaca College and Northwest Missouri State University, he remains committed to advancing music literacy and choral artistry through both his own compositions and his curation of Alfred's catalog.
Why we love this
Beck captures something essential about unity and hope through a simple yet profound staging device: voices and candles building together. The piece functions as both a contemplative moment and a visual-musical event, giving directors a ready-made ceremony that requires no additional staging or interpretation. Singers of mixed ages and abilities will feel the power of layered voices and the Latin text working together toward something larger than themselves.
What to expect
The piece unfolds like a ceremony unfolding in real time: quiet, focused, almost meditative at first, then gradually swelling with warmth and collective purpose. The Latin text lends gravitas while the bridge lyrics about peace ground the music in contemporary hope. By the end, the accumulated voices create an almost visible light.
Who it's for
This octavo works beautifully for choirs mixing treble, alto, and baritone/bass voices at the high school or adult level, though the straightforward vocal writing and spiritual depth also suit community and church choirs. Directors seeking a piece that combines meaning, visual drama, and musical accessibility will find this especially valuable.
How to get the most out of it
- Shape each entrance carefully so that soloists and subsequent voice parts are clearly heard above the growing ensemble texture; avoid letting early voices get covered once the full choir enters.
- Emphasize the contrast between the peaceful opening section and the powerful bridge passage 'grows for all the world to see'; let the dynamic shift be as much about intention and forward motion as volume.
- Balance the recurring 'Dona nobis pacem' refrain so it remains recognizable even as more voices join in echo patterns; clarity here anchors the whole piece emotionally.
- Work with your soloists to establish intimate, vulnerable tone quality in the opening; once the full choir enters, that vulnerability becomes communal rather than individual.
How to use it
Schedule this during a holiday concert as an emotional centerpiece, or use it outside the winter season as a powerful closer for a concert centered on themes of community, peace, or unity. Its blend of sacred text and secular message makes it equally at home in school, church, and secular community settings. The built-in ceremony concept means it can stand alone meaningfully without additional framing.
Skills your students will build
- Singing layered, imitative text entries while maintaining musical independence
- Dynamic control across multiple voice parts entering at different times
- Sustaining emotional intention through Latin text and English lyrics
- Balance and blend in 3-part mixed voicing
- Singing with intentionality and vulnerability in intimate passages