One By One (from Rhythm of the Pridelands) (arr. John Leavitt): SATB Choral Octavo

Leavitt captures the infectious energy and uplifting spirit of this Disney moment while crafting voicings that sit naturally for mixed voices. The arrangement opens doors to conversations about African music, ensemble unity, and joy in singing without requiring a degree in ethnomusicology or theatrical production.

Bright, propulsive, and fundamentally optimistic. The arrangement radiates ensemble solidarity and forward motion, with moments of rhythmic sophistication that keep singers engaged and awake.

Middle school and high school choirs looking for repertoire that energizes singers and audiences alike. This works equally well for festival performance, concert programming, or a thematic unit exploring musical storytelling and cultural celebration.

• Establish a steady, confident pulse before rehearsing; the rhythmic momentum of this piece is central to its character. Lock it in early so singers can focus on blend and phrasing.
• Layer in the parts strategically. Start with sopranos and altos to establish the melodic line, then add tenors and basses to hear how harmony enriches the foundation.
• Shape the dynamics with intent. This piece thrives on the contrast between intimate moments and full ensemble swell; avoid singing it at a single volume throughout.

Pair this with other uplifting secular repertoire to create a set that celebrates unity and transformation, or use it as a concert closer when you want audiences leaving with energy and warmth. It also serves as an excellent teaching piece midyear when choirs are ready to tackle more rhythmic complexity.

• Maintaining steady rhythmic ensemble in energetic tempos
• Singing with confidence and joy while managing four-part texture
• Responding to dynamic shape and phrasing cues
• Blend and balance in a contemporary harmonic language