Once on This Island: A Choral Medley Cover Image

Once on This Island: A Choral Medley: SATB Choral Octavo

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Once on This Island: A Choral Medley Cover Image

Once on This Island: A Choral Medley: SATB Choral Octavo

Featuring: We Dance / Waiting for Life / Rain / Forever Yours / Mama Will Provide / The Human Heart

Words by Lynn Ahrens, music by Stephen Flaherty / arr. Andy Beck

Item: 00-32871

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Description
The captivating music of Lynn Ahrens and Stephen Flaherty is vibrantly arranged for concert and show choirs in this 12-minute medley by Andy Beck. Enjoy singing (and dancing) the emotional story of a young island girl, destined for great things. Existing fans of the musical will recognize the authentic theatrical character of the work, while new fans will delight in the rhythmic brilliance and buoyant choral writing throughout.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 52
UPC: 038081340999
SKU: 00-32871

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty is a Tony Award-winning composer whose theatrical scores blend contemporary sensibility with genuine melodic gift. His collaborations with lyricist Lynn Ahrens have produced some of Broadway's most enduring musicals, including Ragtime, Anastasia, and Hadestown, each distinguished by Flaherty's ability to craft music that serves both intimate character moments and sweeping ensemble scenes.

Flaherty's compositions for musical theatre are marked by their harmonic sophistication and rhythmic vitality, qualities that translate powerfully to choral settings. His work has influenced a generation of musical theatre composers and continues to be a staple of school and community choir programming worldwide.

Why we love this

Andy Beck's arrangement captures the theatrical energy of the original while creating something genuinely singable for mixed choirs at the intermediate to advanced level. The 12-minute arc gives you substantial concert material without overstaying its welcome, and the built-in staging possibilities make this equally at home in a jazz or show choir context as it is in a traditional concert setting.

What to expect

Lush, rhythmically alive, and deeply theatrical. The medley pulls you into the world of the island and the protagonist's journey with a blend of tenderness and driving energy, moving fluidly between moments of vulnerability and exuberant joy. You're not simply singing a Broadway arrangement; you're storytelling through music.

Who it's for

This medley works for concert choirs, show choirs, and musical theatre ensembles with singers who have intermediate to advanced musicianship and comfort with theatrical delivery. The arrangement assumes solid sight-reading skills and familiarity with contemporary choral idioms, making it suitable for high school and college programs.

How to get the most out of it

  • Study the recorded accompaniment before rehearsal to internalize the arrangement's rhythmic profile, particularly where the choral parts sit in relation to the orchestration.
  • Block the suggested movement early in your rehearsal process so singers understand the spatial relationships before refining vocal balance and blend.
  • Pay special attention to rhythmic precision in the syncopated passages; lock section rhythms together before layering dynamics and expression.
  • Layer the story across your rehearsal timeline. Once the notes and rhythms are secure, return to the text and character arc to deepen emotional delivery.

How to use it

Position this as a centerpiece of a pops or contemporary choral concert, where its theatrical flair and dynamic range command full attention. It also pairs well in a mixed program after or alongside other musical theatre selections, giving your choir a substantial closer that audiences will recognize and embrace.

Skills your students will build

  • Rhythmic precision in syncopated and contemporary choral idioms
  • Integration of staged movement with vocal performance
  • Theatrical storytelling through ensemble singing
  • Blend and balance in dense, four-part harmonic writing
  • Interpretive flexibility with recorded accompaniment

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