Once in a While: Piano Digital Sheet Music

Once in a While: Piano Digital Sheet Music

Michael Edwards, George Shearing, Bud Green

Item: 00-PS-0007194

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SKU: 00-PS-0007194

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About the Artist: George Shearing

George Shearing (1919-2011) was a British jazz pianist and composer whose sophisticated harmonic sensibility and lush block chord voicings defined a generation of cool jazz. Blind from birth, Shearing became one of the first jazz musicians to achieve mainstream commercial success while maintaining artistic credibility, leading his famous quintet and composing enduring standards that remain central to the jazz repertoire.

Why we love this

Shearing's interpretation of this standard exemplifies everything that made his style so influential: crystalline touch, impeccable voicing control, and a lyrical approach that never sacrifices swing. Students studying this recording gain direct exposure to how a master pianist balances comping sophistication with melodic clarity.

What to expect

Elegant and unhurried, this performance exudes the refined sophistication that Shearing brought to every ballad. The playing sits somewhere between contemplative and swinging, with harmonic depth that invites repeated listening.

Who it's for

Jazz pianists developing their understanding of standards and voice leading will find this an invaluable study resource. Intermediate to advanced players interested in cool jazz aesthetics and sophisticated harmonic language will benefit from close examination of Shearing's recorded approach.

How to get the most out of it

  • Listen repeatedly to Shearing's recording before learning the piece; absorb the rhythmic placement and harmonic density that define his approach rather than relying on lead sheets alone.
  • Pay special attention to block chord voicings in the left hand; Shearing's signature stacked fourths and fifths require controlled pedaling to maintain clarity while sustaining harmonic richness.
  • Develop independence between hands by practicing the melody separately from the comping figures until the rhythmic placement feels natural rather than mechanical.
  • Work the bridge in sections, isolating any chromatic or unexpected harmonic movement before integrating it into the full tempo.

How to use it

Include this in a jazz history unit exploring cool jazz and the influence of European-trained pianists on American jazz development. It pairs naturally with repertoire by Bill Evans or Ahmad Jamal when teaching harmonic sophistication and block chord technique.

Skills your students will build

  • Reading and interpreting jazz lead sheet notation with attention to implied harmonic complexity
  • Voice leading within block chord voicings using fourths and fifths
  • Balancing melody and comping within a single instrument
  • Developing swing feel and rhythmic placement in ballad tempos
  • Understanding cool jazz aesthetic and restraint in interpretation

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