On Wisconsin!: Concert Band Conductor Score & Parts
As performed by W.T. Purdy / Arranged by Paul Lavender
Grade: 0.5-1
Item: 35-PK00319471
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| On Wisconsin! - Full Score | $7.50 | |
| On Wisconsin! - Flute | $6.00 | |
| On Wisconsin! - Oboe | $6.00 | |
| On Wisconsin! - Bb Clarinet | $6.00 | |
| On Wisconsin! - Eb Alto Clarinet | $6.00 | |
| On Wisconsin! - Bb Bass Clarinet | $6.00 | |
| On Wisconsin! - Eb Alto Saxophone | $6.00 | |
| On Wisconsin! - Bb Tenor Saxophone | $6.00 | |
| On Wisconsin! - Eb Baritone Saxophone | $6.00 | |
| On Wisconsin! - Bb Trumpet | $6.00 | |
| On Wisconsin! - F Horn | $6.00 | |
| On Wisconsin! - Trombone/Baritone B.C./Bassoon | $6.00 | |
| On Wisconsin! - Baritone T.C. | $6.00 | |
| On Wisconsin! - Tuba | $6.00 | |
| On Wisconsin! - Percussion 1 | $6.00 | |
| On Wisconsin! - Percussion 2 | $6.00 | |
| On Wisconsin! - Keyboard Percussion | $6.00 |
Parts Added to Cart!
Description
On Wisconsin!: Concert Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Artist: W.T. Purdy
W.T. Purdy composed one of America's most enduring college fight songs. His work has become synonymous with the energy and tradition of university band programs across the country, particularly through this iconic march that continues to define gameday moments.
Purdy's compositional legacy rests on his ability to craft melodies that transcend their original context. On Wisconsin! remains a staple of concert band repertoire not merely as nostalgia, but as a genuinely engaging piece that connects performers to a rich tradition of American musical culture.
Why we love this
Paul Lavender's arrangement strips away unnecessary complexity while preserving every ounce of the original's infectious spirit. Your beginning players get to feel the surge and swagger of a genuine march without drowning in technical demands, and audiences respond to music this recognizable with immediate engagement.
What to expect
Pure forward thrust. The melody arrives immediately and never apologizes, marching through with the kind of buoyancy that makes even modest ensemble performance feel celebratory. There is swagger here, the feeling of stepping into something larger than yourself.
Who it's for
Grade 0.5 to 1 bands looking for a crowd pleaser that works at pep assemblies, concerts, competitions, or homecoming events. This is the arrangement you program when you want your developing musicians to feel the confidence of playing something the entire audience already knows and loves.
How to get the most out of it
- Keep the tempo steady and march-like; resist the urge to slow down during the trio section. The piece thrives on forward momentum.
- Balance the melodic line across sections so the familiar tune cuts through clearly. If the harmony swells too much, the accessibility disappears.
- Shape phrases with subtle dynamic swells rather than abrupt jumps. This arrangement rewards singers more than shouters.
- Lock the low brass and percussion together to establish the march's backbone before any musical refinement happens in rehearsal.
How to use it
Open a concert with this and watch the room shift. The arrangement also works as an opener to a smaller pep band setting, or as a fun encore after something more demanding. Consider pairing it with another march or a patriotic selection to build a thematic program section.
Skills your students will build
- Maintaining steady tempo in a march idiom
- Balancing melody and accompaniment within a section
- Reading straightforward rhythmic figures in 2/4 time
- Executing clean articulation in a fast-moving arrangement
- Following a conductor's interpretation of dynamics and phrasing