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On the Theory of Modulation: Book

$12.95 USD
$12.95 USD
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On the Theory of Modulation Cover Image
On the Theory of Modulation: Book

On the Theory of Modulation: Book

By Max Reger

Item: 00-K03841
$12.95
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Description
This "Supplement to the Theory of Modulation" is intended both for the professional musician (for those learning harmony, for pianists, organists, singers and others), and for the amateur to whom the rudiments of the theory of music are not a sealed book.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 52
ISBN10: 0-7119-7915-4
ISBN13: 978-0-7119-7915-4
UPC: 029156694192
SKU: 00-K03841

More about this title

About the Composer: Max Reger

Max Reger (1873-1916) was a German composer, pianist, organist, and conductor whose prolific output spanned nearly every musical form. A student of Hugo Riemann, he developed a deep theoretical foundation that informed both his compositions and his pedagogical writing. Reger's approach to music instruction was rooted in practical musicianship; he taught at conservatories in Weiden, Leipzig, and Jena, and his textbooks emerged from years of working with students at all levels.

Why we love this

Reger wrote this supplement as a working musician, not as an ivory-tower theorist. He addresses modulation through the lens of real compositional practice, showing how harmonic motion actually functions in the music students and teachers encounter. The text speaks directly to performers (pianists, organists, singers) alongside music theory students, making it invaluable for anyone seeking to understand the practical grammar of Romantic-era harmony.

What to expect

Reger's writing is methodical and precise, reflecting the German pedagogical tradition of the late nineteenth century. The text builds systematically through examples and explanation, creating a foundation that feels grounded in musical reality rather than abstract rules.

Who it's for

This book serves music theory students, harmony students, and any musician seeking a rigorous understanding of modulation in Romantic music. It is equally suited to pianists, organists, and singers who want to deepen their grasp of how composers construct harmonic motion and key relationships.

How to use it

This is a reference work for music theory curricula, private study with advanced students, and individual practice for musicians preparing to study composition or pursue graduate-level music theory. Use it as a primary text in upper-level harmony courses or as a supplementary guide for students struggling to connect theoretical concepts to actual musical scores.

Skills your students will build

  • understanding chromatic and diatonic modulation
  • analyzing harmonic progressions in Romantic compositions
  • applying modulation techniques to improvisation and composition
  • reading and interpreting harmonic analysis

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