On The Sunny Side Of The Street (arr. Rosana Eckert) Sheet Music Preview

On The Sunny Side Of The Street (arr. Rosana Eckert): 3-Part Mixed Choral Octavo

As performed by Dorothy Fields / Arranged by Rosana Eckert

Item: 35-DS00427790

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00427790

More about this title

About the Artist: Dorothy Fields

Dorothy Fields (1905-1974) was one of Broadway's most prolific lyricists, crafting witty, singable words for some of American musical theater's most enduring melodies. Her partnership with composer Jimmy McHugh produced standards that defined the 1920s and 1930s, including this irrepressible anthem of optimism. Fields won two Academy Awards and demonstrated a gift for lyrics that sound conversational yet perfectly shaped for the music, a skill that serves choral arrangers well decades later.

Why we love this

Rosana Eckert's three-part voicing captures the infectious spirit of this standard without sacrificing the harmonic sophistication that makes the tune stick in people's heads. The arrangement sits comfortably for mixed ensembles with modest ranges, freeing your singers to focus on delivering the personality and swing of the original rather than wrestling with technical demands.

What to expect

Sunshine, optimism, and the jazz age all wrapped into fourteen pages of pure good humor. The arrangement bounces with the melodic clarity of the original while letting Eckert's three-part harmony add gentle sophistication underneath. Your singers will leave rehearsal humming, and your audience will leave smiling.

Who it's for

Choirs looking to add a accessible, feel-good standard to their repertoire will find this arrangement perfect for concert programming or community events. The three-part texture accommodates groups that have reliable singers but may not be advanced enough for complex chromatic writing or extended ranges.

How to get the most out of it

  • Keep the text conversational and light. This lyric invites natural speech rhythms within the musical phrases, so resist the urge to over-articulate or over-project.
  • Lock into a steady swing feel from the first rehearsal. The arrangement will breathe correctly only if all three parts share the same rhythmic pocket.
  • Balance the parts so the melody reads clearly without drowning out the harmonic support. Mixed-voiced choirs often struggle here; use sectional rehearsals to calibrate blend.

How to use it

This works beautifully as a concert closer or as a lighter moment between more dramatic work. It also serves well in spring concerts, pops programs, or any setting where you want to remind listeners that choral music can be joyful and unpretentious.

Skills your students will build

  • Phrasing and interpretation of jazz standards
  • Balancing melody against harmonic parts in close voicing
  • Swing rhythm and stylistic articulation
  • Three-part blend and intonation in mixed ensembles

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