On The Sunny Side Of The Street Sheet Music Preview

On The Sunny Side Of The Street: Ukulele

As performed by Jimmy McHugh

Item: 35-DS00310181

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00310181

More about this title

About the Artist: Jimmy McHugh

Jimmy McHugh (1894–1969) was a prolific songwriter who helped define the sound of early American popular music. His gift for memorable melodies and sophisticated harmonies made him a cornerstone of the Great American Songbook, with collaborations spanning decades across Broadway, film, and Tin Pan Alley.

For ukulele players and educators, McHugh's catalog offers accessible entry points into jazz-age composition. His melodies sit naturally on the instrument, and his harmonic language introduces players to the colorful chromaticism and extended chords that characterize early 20th-century popular song.

Why we love this

This standard carries genuine warmth without sentimentality, making it an ideal teaching piece for ukulele students ready to move beyond simple strumming patterns. The melody's straightforward phrasing pairs beautifully with the harmonic movement underneath, rewarding careful listening and intentional interpretation.

What to expect

Optimistic without being saccharine. The melody suggests easy confidence and genuine affection, supported by harmonies that add dimension and sophistication. There's something inherently inviting about how this tune settles into the listener's ear.

Who it's for

Ukulele students with solid chord vocabulary who are ready to explore jazz-age standards and develop interpretive maturity. This works equally well for solo performance and as a duet or ensemble piece in a mixed ukulele group.

How to get the most out of it

  • Pay attention to chord voicing choices. Ukulele's compact range means how you voice each chord dramatically shapes the harmonic color, so experiment with different positions to find what feels right.
  • Keep the tempo conversational rather than rushed. This song thrives on a relaxed, unhurried pocket that lets the melody breathe naturally.
  • Shape phrase endings by allowing slight rubato on the final chord of each section. Small ritardandos reward attentive listening.
  • If adding fingerstyle texture, consider how a steady bass note could anchor each chord while allowing melody notes to float above it.

How to use it

Program this alongside other standards from the same era to build a concert segment exploring early American popular song. It's also perfectly suited to a casual ensemble performance or informal coffee shop recital where the focus is on musicianship and storytelling rather than technical display.

Skills your students will build

  • Voice leading across chord changes
  • Phrasing and musical breathing in melody-driven arrangements
  • Interpreting dynamics within a compact range
  • Understanding jazz-age harmonic movement
  • Adapting jazz standards to ukulele's sonic possibilities

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