On Stage!, Book 2 Cover Image

On Stage!, Book 2: Elementary/Late Elementary Piano Book

$9.95 USD
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On Stage!, Book 2 Cover Image

On Stage!, Book 2: Elementary/Late Elementary Piano Book

By Christopher Goldston / ed. Helen Marlais

Item: 98-FJH1708

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Description
Following the format set forth in Book 1, On Stage! Book 2 progresses from the elementary to late elementary level by applying new and more advanced intervallic reading techniques. Some of the concepts include blocking (playing together) intervals,identifying intervals including the octave, identifying whole tone scales, melodic and harmonic intervals, half and whole steps, triads, and much more.

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Additional Details
Series: Intervallic Reading Series
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-663-9
ISBN13: 978-1-56939-663-6
UPC: 674398222254
SKU: 98-FJH1708

More about this title

About the Composer: Christopher Goldston

Christopher Goldston

Christopher Goldston earned his Master of Music in piano performance and pedagogy from Northwestern University and his Bachelor of Music from the University of North Carolina-Greensboro. His teaching experience spans Columbia College Chicago, Roosevelt University, and Sherwood Conservatory of Music, and he maintains both a private studio and virtual teaching practice in Chicago.

Goldston's compositional work earned the National Federation of Music Clubs Lynn Freeman Olson Composition Award in 1991 for Night Train. Since 2010, he has served as national coordinator for the MTNA Composition Competition. His leadership in music education includes presidencies of the Illinois State Music Teachers Association and Chicago Area Music Teachers Association, recognition as an MTNA Foundation Fellow in 2020, and service as MTNA National Secretary-Treasurer from 2021 to 2023. The Music Teachers National Association commissioned Four Virtues for oboe, violin, and piano, which premiered at the 2022 MTNA National Conference.

Why we love this

Goldston builds interval literacy systematically without relying on rote memorization or abstract theory drills. The progression from Book 1 to Book 2 introduces triads, whole tone scales, and harmonic/melodic interval distinctions at exactly the moment students are ready to internalize them musically rather than mechanically, making interval recognition feel like a natural extension of what they already know.

What to expect

Structured yet musical. Each concept arrives with clear context rather than abstract definition, allowing students to experience intervals as the building blocks of melody and harmony. The progression feels purposeful rather than overwhelming.

Who it's for

Students transitioning from early elementary into late elementary piano study, particularly those who struggled with interval identification in traditional method books. Teachers seeking a focused, sequential approach to intervallic reading can use this as the primary text or as a supplementary resource alongside their main curriculum.

How to get the most out of it

  • Block the intervals first before attempting to read them in melodic context. This tactile understanding of how intervals feel under the fingers accelerates recognition when they appear in actual music.
  • Identify the interval type (major, minor, perfect) aloud as you play, especially during the triads section. Verbalizing the quality reinforces the connection between sound and symbol.
  • Return to the half and whole step exercises whenever students hesitate on accidentals. These foundational building blocks unlock confidence in the more complex interval work that follows.

How to use it

Deploy this as a core text for students in their second or third year of study who need to solidify interval fundamentals before advancing to repertoire with greater harmonic complexity. The systematic introduction of triads and whole tone scales prepares students for future exploration of modal music and jazz harmony without feeling like detour from standard classical piano pedagogy.

Skills your students will build

  • Identifying intervals visually and aurally (unison through octave)
  • Distinguishing between harmonic and melodic intervals
  • Recognizing half steps and whole steps in context
  • Reading and playing major, minor, and perfect intervals accurately
  • Building and identifying triads on the staff
  • Recognizing whole tone scale patterns
  • Blocking intervals for faster recognition and finger strength

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