On My Own (from Les Miserables) (arr. Ed Lojeski): SATB Choral Octavo

Ed Lojeski's arrangement captures the intimacy of Eponine's confession without overwhelming young singers. The SATB voicing sits comfortably in accessible ranges while the harmonic language remains sophisticated enough to keep mature musicians engaged. This is the kind of choral work that sounds beautiful at rehearsal and feels genuinely rewarding to perform in concert.

Solitary and yearning, with the underlying hope that honesty might change everything. The melody has the quality of a conversation with oneself, vulnerable but never self-pitying, and the arrangement amplifies that sense of quiet determination without melodrama.

Choirs with solid SATB balance and singers who can sustain legit singing lines with emotional truthfulness. This works well for groups preparing a Broadway showcase, a mixed concert featuring musical theatre, or any ensemble looking to expand beyond traditional concert repertoire without compromising musical substance.

• Lean into the lyrical quality of the melody in the soprano line; resist the urge to rush through the phrases even when the accompaniment suggests momentum.
• Balance the inner voices carefully so they support the tune without clouding it. The alto and tenor lines need clarity to prevent the arrangement from becoming muddy.
• Consider the emotional subtext of each section. This song moves from resignation to hope, so your phrasing and dynamic choices should chart that journey.
• Use the text to drive your pacing rather than adhering strictly to a metronome; this piece rewards singers who listen to what the words are asking for.

Pair this with other Lojeski arrangements from Les Misérables to create a cohesive musical theatre segment, or feature it as a standalone moment in a concert that otherwise draws from classical or contemporary art song. The eight-page length makes it manageable as part of a longer program without demanding excessive rehearsal time for the payoff.

• Sustaining long legit singing lines with consistent breath support and phrasing
• Balancing multiple independent vocal lines to support a primary melody
• Interpreting contemporary harmonic language within a tonal framework
• Connecting emotional subtext to vocal delivery and dynamic shaping
• Reading and performing musical theatre style authentically