On My Own: Choral Instrumental Pak
As performed by Boublil and Schonberg / Arranged by Ed Lojeski
Item: 35-PK00130753
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Description
The character Eponine sings this powerful song in Act II of "Les Miserables" as a demonstration of her courage and will. Duration: ca. 2:55.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00130753
More about this title
About the Artist: Boublil and Schonberg
Claude Michel Schönberg and Alain Boublil created Les Misérables, one of the most performed musicals worldwide since its 1980 debut in Paris. Schönberg's sweeping orchestrations and Boublil's emotionally direct lyrics established a new standard for how Broadway music could tackle historical drama and personal struggle with equal weight. Their collaboration transformed musical theatre by proving that contemporary pop sensibilities could coexist with operatic scope.
Why we love this
This arrangement captures the raw vulnerability at the heart of Eponine's character without requiring a massive pit orchestra. Ed Lojeski's writing preserves the song's emotional arc while keeping the ensemble engaged through a rhythm section framework that lets voices shine. Directors appreciate how accessible it is for mixed choirs while maintaining the dramatic weight that makes this moment in the show so unforgettable.
What to expect
Unrequited love rendered as defiant hope. The song moves from hesitant confession to determined acceptance, with Eponine's voice carrying both fragility and steel. Even within an ensemble voicing, the emotional arc stays clear; listeners hear a character claiming her own dignity in the space of three minutes.
Who it's for
This pak works well for choirs that want a recognizable Broadway moment with manageable vocal ranges and a professional recorded foundation. It suits groups preparing concert programs, musical theatre showcases, or spring pops concerts where emotional storytelling matters as much as technical display.
How to get the most out of it
- Balance the lead voice carefully against the ensemble; Eponine's isolation should remain clear even when choral textures build beneath her.
- Lean into the rubato in the verses to mirror the character's internal conflict, then lock into a steady pulse as the song gains confidence.
- Let the recorded accompaniment guide your tempo, but allow your singers to breathe at phrase endings without rushing back to the beat.
How to use it
Pair this with other character-driven Broadway selections to create a vocal theatre mini-set, or anchor a secondary set with numbers that explore vulnerability and transformation. It works particularly well in spring concerts where you want to balance lighter pops repertoire with something that demands genuine emotional commitment from your singers.
Skills your students will build
- Sustaining legit Broadway tone through sustained melodic lines
- Ensemble blend while supporting a featured vocalist
- Responding to recorded accompaniment cues and tempo changes
- Shaping lyrical phrasing to serve character and story