On Christmas Night for SATB Choir and Organ Cover Image

On Christmas Night for SATB Choir and Organ: Choral Works (inc. Oratorios)

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On Christmas Night for SATB Choir and Organ Cover Image

On Christmas Night for SATB Choir and Organ: Choral Works (inc. Oratorios)

By James Burton

Item: 98-EP72458

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-57-700381-X
ISBN13: 979-0-5770-0381-8
SKU: 98-EP72458

More about this title

Why we love this

Burton's setting balances accessibility with genuine musical substance, letting your choir sound polished without requiring advanced sight-reading skills. The organ part enriches the harmonic landscape while remaining manageable for church or school musicians.

What to expect

A warm, direct approach to Christmas celebration. The writing sits comfortably in moderate ranges and leans toward clarity rather than complexity, creating an impression of sincerity without sentimentality.

Who it's for

Choirs seeking straightforward but musically satisfying Christmas repertoire, especially those with access to an organ. This works equally well in church settings, school choirs, and community ensembles.

How to get the most out of it

  • Shape the phrasing across the full lines rather than stopping at bar breaks; the organ's accompanimental figures benefit from a conductor who breathes with the choir's sustained vowels.
  • Balance the SATB lines so no single voice dominates; inner parts carry harmonic material that the listener should register clearly.
  • Work out the organ part separately with your accompanist before the first full rehearsal, paying attention to any rhythmic independence from the choral parts.

How to use it

Pair this with other carol-based settings or with contemporary Christmas pieces to balance a holiday concert. It works particularly well as an accessible offering that engages both experienced and developing singers.

Skills your students will build

  • SATB blend and balance in sustained harmony
  • Organ-choir coordination and ensemble awareness
  • Phrasing across longer melodic lines without frequent rests

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