On a Russian Rowing Chanty Cover Image

On a Russian Rowing Chanty: Concert Band Conductor Score & Parts

$55.00 USD
Sale price  $55.00 USD Regular price 
Skip to product information
On a Russian Rowing Chanty Cover Image

On a Russian Rowing Chanty: Concert Band Conductor Score & Parts

Arranged by Jack Wilds

Grade: 2

Item: 98-B1595

makemusic Cloud badge

Need it now?

Buy Digital Version
$55.00
Shipped

One moment…

Description
Based on the Russian folk tune Song of the Volga Boatmen, this piece is an eclectic and engaging set of variations. The familiar melody takes on a variety of forms and tonalities as it weaves through the composition, including a lively dance and an eerie statement accompanied by slithering chromatic lines. Don't miss this opportunity to discuss theme and variations with your students using a piece they will love!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, On a Russian Rowing Chanty: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 674398233199
SKU: 98-B1595

More about this title

About the Composer: Jack Wilds

Jack Wilds

Jack Wilds composes and teaches across an unusually wide range of ensembles and ages, from children's choirs to professional orchestras. His output reflects deep engagement with multiple artistic disciplines: visual art, literature, philosophy, and music theory all feed his compositional voice. Ensembles including the Attacca Quartet, members of the New York Philharmonic and Atlanta Symphony, and collegiate wind programs have performed his work at festivals from Wyoming to Hong Kong.

Wilds spent years in public school band direction before moving into higher education, and that classroom experience shapes his output for developing musicians. Over 40 of his publications serve student ensembles, and his wind band works appear on required repertoire lists across multiple continents. He holds a position as lecturer in composition and music theory at Texas State University and serves as Co-Director of Music at First Presbyterian Church in San Marcos.

Why we love this

Wilds takes one of the most recognizable folk melodies in the repertoire and refuses to let it sit still. Each variation genuinely transforms the material rather than simply restating it, which means your students stay engaged because the piece keeps revealing new angles on the theme. The Grade 2 voicing is clean and playable, but the harmonic language and structural ideas are sophisticated enough that you can conduct this with real artistry.

What to expect

Sturdy and unpredictable. The opening feels anchored in Russian tradition, but Wilds immediately tilts the harmonic ground beneath you, then pivots into a rollicking dance before pulling you into something unsettling and strange. The piece has the feel of a folk tune being retold by different storytellers, each one adding their own twist.

Who it's for

Grade 2 concert bands with solid fundamentals and appetite for harmonic color. Directors seeking a piece that honors a well-known melody while teaching students what happens when composers reimagine familiar material. Ensembles programming a multicultural concert or exploring theme and variations as a compositional device.

How to get the most out of it

  • Identify the variations with your band during rehearsal and assign each one a descriptive label (march, dance, chromatic, etc.). Students who can hear and name the transformations play with clearer intention and musicality.
  • The lively dance section needs rhythmic precision; lock the low reeds and brass together first, then layer in the upper voices so the energy builds rather than scatters.
  • In the eerie statement with chromatic lines, resist the urge to rush. Let the slithering motion breathe and contrast with the earlier material.
  • Conduct the returns to the opening melody with slightly different character each time, helping your band understand that familiarity doesn't mean repetition.

How to use it

Program this as the centerpiece of a unit on theme and variations, pairing it with a listening example of a classical variation set so students hear the concept across centuries and styles. It also works well in a concert exploring world folk traditions, where its familiar melody serves as an entry point and its sophisticated treatment demonstrates how composers worldwide engage with traditional music.

Skills your students will build

  • Hearing and performing theme and variations as a compositional structure
  • Playing with tonal awareness through shifting harmonic contexts
  • Balancing familiar melody against unfamiliar harmonic language
  • Rhythmic precision in varied meters and textures
  • Ensemble blend across rapid sectional transitions

You May Also Like