On a December Night: SATB Choral Octavo
Words and music by Jay Althouse
Item: 00-PO-0005572
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About the Composer: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later recognized as a Distinguished Alumni recipient. His career spans both administration and composition; he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America. His output as a choral composer is substantial: over 800 works in print performed regularly across English-speaking countries.
Althouse's contributions to music education extend well beyond his original compositions. He has co-written children's musicals with Sally K. Albrecht, his collaborator on projects including I Hear America Singing (performed at President Obama's 2009 inauguration by the San Francisco Girls and Boys Choirs). He has compiled and arranged vocal solo collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and written classroom resources including Ready to Read Music and Sixty Music Quizzes. A member of ASCAP with a consistent record of composition awards, Althouse currently serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.
Why we love this
The 5/4 meter and contemporary harmonic language distinguish this carol from standard holiday fare without alienating singers unfamiliar with modern works. Althouse balances harmonic richness with vocal accessibility, allowing students to inhabit genuinely satisfying chords while staying within secure ranges. The recorded accompaniment makes this a practical choice for schools working with limited instrumental resources or rehearsal time.
What to expect
The 5/4 meter creates an unhurried, slightly floating quality, as if time shifts during the quiet observation of holiday moments. Harmonies feel modern yet warm, avoiding both saccharine sentimentality and angular dissonance. The piece invites singers into intimate reflection on seasonal imagery rather than commanding grand proclamation.
Who it's for
SATB choirs seeking contemporary holiday material that moves beyond traditional carol idioms while remaining accessible to singers at intermediate levels. Directors programming winter concerts want pieces that feel fresh and current, and this octavo delivers both sophisticated harmonies and straightforward vocal writing. The moderate length (12 pages) and single-voice rehearsal independence make it suitable for choirs with varying rehearsal time.
How to get the most out of it
- Establish the 5/4 pulse early through conducting patterns and isolated rhythm work. Singers often default to 4/4 or treat the extra beat as unstable; anchor it in rehearsal before adding harmonic layers.
- Highlight the text painting opportunities in the holiday imagery. These moments of word expression give singers emotional investment in the piece and help the audience connect to the seasonal content.
- Balance the choir's parts against the recorded accompaniment by rehearsing sections without it first. Once singers know their lines securely, layer the recording in gradually to find the right blend.
- Shape phrases through dynamic contours rather than text emphasis alone. The contemporary harmony rewards subtle dynamic shaping that lets individual sonorities bloom.
How to use it
Position this during the second half of a winter concert to transition from traditional carols into contemporary seasonal works, or open a second set with it to signal fresh musical ground. Its moderate difficulty and approachable text make it an effective anchor for a themed program exploring how different eras and styles approach holiday expression. Schools premiering contemporary choral music will find this a welcoming entry point for audiences accustomed to familiar repertoire.
Skills your students will build
- Reading and maintaining 5/4 meter with security and musicality
- Balancing blend in contemporary harmonic writing
- Singing independently within a SATB texture while hearing surrounding parts
- Interpreting text expression in modern choral language