Olympic March
By John Kinyon
Grade: 1 (Very Easy)
Item: 00-PK-0000194
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Olympic March: Score | $5.00 | |
| Olympic March: Flute | $3.00 | |
| Olympic March: Oboe | $3.00 | |
| Olympic March: 1st B-flat Clarinet | $3.00 | |
| Olympic March: 2nd B-flat Clarinet | $3.00 | |
| Olympic March: E-flat Alto Saxophone | $3.00 | |
| Olympic March: E-flat Baritone Saxophone | $3.00 | |
| Olympic March: 1st F Horn | $3.00 | |
| Olympic March: 1st B-flat Trumpet | $3.00 | |
| Olympic March: 2nd B-flat Trumpet | $3.00 | |
| Olympic March: 1st Trombone | $3.00 | |
| Olympic March: Baritone T.C. | $3.00 | |
| Olympic March: Tuba | $3.00 | |
| Olympic March: 1st Percussion | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Olympic March comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: John Kinyon

John Kinyon earned degrees from Ithaca College and the Eastman School of Music, plus an honorary doctorate from Limestone College in South Carolina. He has worked as an instrumental director and music department head in public schools, served as educational director for Warner Brothers Music in New York, and taught music education at the University of Miami before transitioning to semi-retirement in Tuckasegee, North Carolina in 1982.
Kinyon is one of the most prolific composers of educational concert band music, with over 250 published works for Alfred spanning Grade 1 through Grade 3. His catalog includes original marches, ballads, and overtures written in styles ranging from classical to contemporary, making him essential reading for directors seeking accessible yet musically substantial repertoire.
Why we love this
Olympic March captures the joy and energy of vintage circus marches while remaining genuinely easy to rehearse. Kinyon gives every section compelling material without burying anyone in complexity, and the piece works equally well to kick off a concert or send the audience home smiling.
What to expect
Olympic March radiates pure, unpretentious fun. You hear the ringmaster's whistle, the brass fanfares cutting through the crowd, and those silly low-brass slides that always get a laugh. It's buoyant and affable, with enough musical substance to feel like a real composition rather than just filler.
Who it's for
This piece is ideal for beginning concert bands (Grades 4-6 performance level) that want to sound accomplished without weeks of intensive rehearsal. It works beautifully for ensembles building confidence and repertoire range, or for experienced groups looking for a reliable, entertaining filler or closer.
How to get the most out of it
- Bring out the fanfare passages with crisp, unified articulation in the brass to establish the carnival atmosphere right away.
- Feature your low brass glissandi intentionally; these moments are comedic gold when executed with confidence and clear projection.
- Balance the countermelodies so secondary lines don't disappear into the texture; Grade 1 ensembles often need a gentle nudge to voice layers clearly.
How to use it
Program this as your concert opener to set a lighthearted, engaging tone immediately, or use it as an encore to leave the audience grinning. It also works well alongside other Grade 1 marches or lighter character pieces when you want variety in style without difficulty level jumping.
Skills your students will build
- Balance between melody and countermelody
- Clean articulation in fanfare passages
- Sustaining ensemble precision at a brisk tempo
- Confidence performing accessible concert literature