Old Time Rock  Roll Sheet Music Preview

Old Time Rock Roll: SAB Choral Octavo

By George Jackson / As performed by Bob Seger / Arranged by Kirby Shaw

Item: 35-DS00178363

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00178363

More about this title

About the Composer: George Jackson

George Jackson wrote "Rocket 2 U" and earned recognition as a prolific songwriter in soul and R&B circles during the 1970s and 1980s. His compositions blend infectious grooves with memorable melodic hooks, qualities that have made his work attractive to arrangers seeking material with genuine popular appeal.

Why we love this

Kirby Shaw's arrangement captures the swagger and drive of this rock staple while keeping the voicing accessible for mixed choirs without extensive rehearsal time. The SAB texture lets you program a song your audience knows and loves, which builds energy in any concert and reminds singers why they joined choir in the first place.

What to expect

Propulsive and confident, this arrangement channels the original's irresistible momentum while maintaining the clarity you need in a concert setting. The familiar hook lands hard each time it returns, and singers feel the satisfaction of nailing something that feels genuinely pop, not watered down.

Who it's for

Directors building a concert with contemporary appeal or seeking a rock standard that doesn't require extensive arranging expertise from their singers. Choirs with solid sight-reading skills and comfort in popular idioms will find this an energizing addition to setlists aimed at younger or more diverse audiences.

How to get the most out of it

  • Lock the groove early by having rhythm section members tap the pulse during warm-ups so the entire choir feels the pocket, not just the soloists.
  • Emphasize the distinction between legit singing and rhythmic punch; soloists should nail articulation on the hook while ensemble sections support with crisp, unified delivery.
  • Record a rough mix with just the accompaniment track and have students listen before rehearsals so they internalize the arrangement's energy and their own entrance points.
  • Balance the parallel parts carefully in SAB texture; the middle voice (altos and tenors) often carries counter-melody and shouldn't disappear under the melody line.

How to use it

Place this in your second half to shift energy and remind audiences that choral music lives in popular culture too. It pairs well after a classical or art song set, bridging into contemporary work or serving as a palate cleanser before a final medley or closing number.

Skills your students will build

  • Rhythmic precision in a groove-based idiom
  • Rock and pop style conventions in SAB voicing
  • Balancing solo presence with ensemble blend
  • Quick learning from commercial arrangements
  • Sustaining energy and articulation in uptempo popular material

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