Old King Cole: 2-Part Choral Octavo
Based on the Mother Goose nursery rhyme, music and additional text by Dave and Jean Perry
Item: 00-PO-0000594
$2.05
Minimum order quantity: 20 copies
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Description
Who knew that Old King Cole had an appreciation for country fiddle? Sections of your choir emulate three fiddlers by singing unique, nonsensical refrains as each is introduced. At the end of the story, all parts combine to create a rousing d own-home finish. So fun, your kids won't know they're learning! Featured on the Danza! Movement DVD (00-31225).
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Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0000594
More about this title
Why we love this
This arrangement transforms a nursery rhyme into genuine theater, giving your singers permission to be silly while nailing ensemble coordination and part independence. The fiddler refrains offer a built-in novelty hook that keeps middle and elementary singers engaged across a full rehearsal cycle.
What to expect
Picture a down-home gathering where each fiddle player brings their own quirky personality to the tune. The nonsensical refrains bounce with playful energy, then the whole choir crashes together in a joyful, foot-stomping finale that feels like everyone's gathered around the old king's table.
Who it's for
This piece works beautifully for elementary and middle school choirs seeking a concert-ready novelty with genuine musical substance. It's ideal for directors who want students laughing and learning simultaneously, and for mixed-age choirs where engagement can be tricky.
How to get the most out of it
- Differentiate the three fiddler characters vocally. Have each section explore different timbres and energy levels so the audience immediately recognizes when a new fiddler "enters."
- Use the movement choreography intentionally. Even if your staging is minimal, the physical contrast between the nonsensical refrains and the final rousing section will lock in the comedic timing.
- Balance clarity in the refrains with blend in the finale. The parts need to pop individually early on, then lock together seamlessly when all voices combine at the end.
- Lean into the country fiddle character. Encourage a relaxed, almost conversational tone in the refrains rather than formal choral technique.
How to use it
Open a concert with this piece to immediately set a fun, accessible tone for your audience. It pairs well alongside other folk-inspired repertoire or as a bridge between serious concert music and a finale that celebrates ensemble spirit.
Skills your students will build
- Part independence and secure sectional singing in 2-part voicing
- Rhythmic precision and character differentiation within a single piece
- Ensemble blend and balance when transitioning from isolated parts to full combinations
- Sustained engagement with performance through movement and staging integration