Old In New Mexico (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

Old In New Mexico (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Lyle Ritz / Arranged by Jim Beloff

Item: 35-DS01530480

Digital Download
$3.99
Description

Old In New Mexico (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01530480

More about this title

About the Artist: Lyle Ritz

Lyle Ritz stands as a foundational figure in modern ukulele playing, bringing sophisticated jazz and fingerstyle techniques to an instrument often relegated to novelty status. His virtuosic approach and prolific recording career across several decades established the ukulele as a serious solo instrument capable of genuine musical depth.

Ritz's legacy extends beyond his own performances into the pedagogical realm, influencing how music educators and serious players conceptualize the ukulele's potential. His work continues to serve as a model for players seeking technical mastery and expressive range on the instrument.

Why we love this

Jim Beloff's arrangement captures the folk authenticity of this piece while keeping it accessible for developing players. The single-page format means students can learn it quickly without feeling overwhelmed, yet the melody sits beautifully on the ukulele neck and rewards careful phrasing.

What to expect

Warm and nostalgic, with the kind of understated charm that folk melodies carry when played with care. The piece invites reflection rather than flash, letting the melody's simple wisdom shine through fingerstyle accompaniment that feels natural to the instrument.

Who it's for

Ukulele students who have moved past the absolute beginner stage and are ready to explore folk repertoire with musical intention. Teachers looking for one-page pieces that build genuine musicianship without requiring advanced technique.

How to get the most out of it

  • Shape the melody with subtle dynamic peaks rather than heavy accents; let the fingerstyle patterns carry the musical momentum.
  • Maintain consistent rhythm in the accompaniment even when you're shaping the melodic line, keeping the folk groove grounded.
  • Listen closely to how the original folk melody wants to breathe, and give yourself permission to linger slightly on certain phrases rather than keeping everything metronomic.

How to use it

Include this in a folk music unit or cultural music curriculum segment where students explore traditional melodies across cultures. It works equally well as a performance piece for a casual concert or as a teaching repertoire example in a ukulele ensemble setting.

Skills your students will build

  • Fingerstyle accompaniment patterns with steady rhythmic control
  • Balancing melodic phrasing against consistent harmonic movement
  • Interpreting folk melodies with musical sensitivity rather than technical display

You May Also Like