Old French Song for Solos and String Orchestra Cover Image

Old French Song for Solos and String Orchestra: String Orchestra Score

$7.00 USD

Old French Song for Solos and String Orchestra: String Orchestra Score

Name: Old French Song for Solos and String Orchestra: String Orchestra Score
Brand: Alfred Music
SKU: 36-50265022
Price: 7.00 USD
Availability: InStock

From Album for the Young, Op. 39, No. 16

By Peter Ilyitch Tchaikovsky / arr. Caryn Wiegand Neidhold

Grade: 2.5

Item: 36-50265022

$7.00

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Feature a deserving string student with this arrangement of Tchaikovsky's enchanting Old French Song. All solo parts are included for violin, viola, cello, and bass, allowing directors flexibility to spotlight any string instrumentalist in educational ensembles. The lush sounds of Tchaikovsky will elevate student orchestras and celebrate student soloists.

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Series: LudwigMasters Developing Strings

Publisher: LUDWIGMASTERS

ISBN10: 8-88-852404-5

ISBN13: 979-8-88-852404-6

UPC: 676737693442

SKU: 36-50265022

Instrumentation: Solo String Instrument with String Orchestra

More about this title

About the Composer: Peter Ilyitch Tchaikovsky

Peter Ilyitch Tchaikovsky (1840–1893) stands among the most performed composers in concert halls worldwide, and his gift for melody shines nowhere brighter than in his smaller character pieces. Trained at the St. Petersburg Conservatory, he mastered orchestration and emotional directness in equal measure, creating music that speaks to performers and audiences across all skill levels.

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Why we love this

This arrangement transforms a gem from Tchaikovsky's album of short orchestral works into a genuine vehicle for student soloists. The flexibility to cast any string instrumentalist in the spotlight means you can feature a violinist one concert, a cellist the next, giving multiple students a chance to shine while the ensemble provides sophisticated harmonic support.

What to expect

The Old French Song evokes nostalgic elegance tinged with melancholy. Tchaikovsky's gift for long, singing lines creates an intimate atmosphere, even with full orchestral accompaniment; the music feels like a confidential conversation between soloist and ensemble.

Who it's for

This score suits string orchestras at the intermediate level (Grade 2.5) seeking a vehicle to feature an emerging soloist while maintaining musical depth. Directors who want to rotate soloists across a season or showcase different string instruments in different concerts will find this arrangement invaluable.

How to get the most out of it

Balance the solo line generously in early rehearsals so the soloist can hear themselves singing above the accompaniment, then gradually let the orchestra find its natural volume as ensemble cohesion improves.
Shape the solo melodically rather than mechanically; invite your soloist to listen to multiple recordings and choose interpretive details (slight rubato, breath points) that feel personal.
Mark clear entry cues for the orchestra at the top and after any solos; ensemble musicians need to feel supported when accompanying a featured player.

How to use it

Program this as a feature moment in a spring concert celebrating student soloists, or pair it with lighter character pieces to create a varied first half. It sits comfortably alongside other accessible Tchaikovsky arrangements or works by his contemporaries.