Old Devil Moon: Jazz Ensemble Conductor Score & Parts
Arranged by Rick Stitzel
Grade: 2
Item: 35-PK00257672
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Old Devil Moon - Conductor Score (Full Score) | $6.00 | |
| Old Devil Moon - Alto Sax 1 | $6.00 | |
| Old Devil Moon - Alto Sax 2 | $6.00 | |
| Old Devil Moon - Tenor Sax 1 | $6.00 | |
| Old Devil Moon - Tenor Sax 2 | $6.00 | |
| Old Devil Moon - Baritone Sax | $6.00 | |
| Old Devil Moon - Trumpet 1 | $6.00 | |
| Old Devil Moon - Trumpet 2 | $6.00 | |
| Old Devil Moon - Trumpet 3 | $6.00 | |
| Old Devil Moon - Trumpet 4 | $6.00 | |
| Old Devil Moon - Trombone 1 | $6.00 | |
| Old Devil Moon - Trombone 2 | $6.00 | |
| Old Devil Moon - Trombone 3 | $6.00 | |
| Old Devil Moon - Trombone 4 | $6.00 | |
| Old Devil Moon - Guitar | $6.00 | |
| Old Devil Moon - Piano | $6.00 | |
| Old Devil Moon - Bass | $6.00 | |
| Old Devil Moon - Drums | $6.00 | |
| Old Devil Moon - Vibes | $6.00 | |
| Old Devil Moon - Flute | $6.00 | |
| Old Devil Moon - Bb Clarinet 1 | $6.00 | |
| Old Devil Moon - Bb Clarinet 2 | $6.00 | |
| Old Devil Moon - F Horn | $6.00 | |
| Old Devil Moon - Tuba | $6.00 |
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Description
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More about this title
Why we love this
Stitzel's arrangement strips away unnecessary complexity while keeping the tune's charm intact. Grade 2 groups rarely get access to material this idiomatically jazzy without drowning in technical demands, and the seamless pivot between swing and Latin sections gives students a genuine sense of stylistic control.
What to expect
Sophisticated yet approachable. The 1940s elegance of the melody keeps listeners engaged while the moderate tempo and style shifts create enough variety to feel like a complete journey in just a few minutes. There's real swing in this one.
Who it's for
Young jazz ensembles working at Grade 2 who want to tackle a recognizable standard without needing soloists or complex arranging flourishes. It's ideal for groups building foundational jazz vocabulary and gaining confidence in swing articulation and Latin rhythms.
How to get the most out of it
- Balance the melody line so it cuts through the ensemble during the swing sections; Latin passages often sit better with slightly less prominence on the lead voice.
- Lock the rhythm section into a consistent feel before adding horns; the style shifts only succeed if the foundation is solid and confident.
- Mark the dynamic contours clearly in rehearsal since the piece relies on phrasing rather than flashy writing to maintain interest.
How to use it
Pair it with a more straightforward swing number earlier in the set to build your ensemble's confidence, then use this as your statement piece on a jazz concert. The familiar melody works well for family audiences while the arrangement demonstrates genuine musicianship.
Skills your students will build
- Swing articulation and feel
- Latin rhythm patterns (clave, tumbao, or montuno figures)
- Style transitions within a single piece
- Ensemble balance in jazz voicings
- Reading jazz chord symbols and performing from lead sheets