Old Devil Moon Sheet Music Preview

Old Devil Moon: SAB Choral Octavo

As performed by E.Y. Harburg / Arranged by Mac Huff

Item: 35-DS00334363

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00334363

More about this title

About the Artist: E.Y. Harburg

E.Y. Harburg (1896-1981) was one of Broadway's most inventive lyricists, known for his witty, conversational writing and ability to embed social commentary within sophisticated rhyme schemes. His partnership with composer Harold Arlen produced some of the American songbook's most enduring standards, including songs from "Finian's Rainbow" and "The Wizard of Oz." Harburg's lyrics prize clarity and singability, making his work exceptionally rewarding for choral arrangers and student singers alike.

Why we love this

Mac Huff's arrangement captures the sultry sophistication of this jazz standard while keeping the vocal writing accessible for developing choirs. The SAB voicing allows directors to place this charming number on concert programs without wrestling with divisi complications, and Huff's harmonic language respects Harburg's melody while adding enough contemporary color to keep rehearsals engaging.

What to expect

There's a knowing charm to this number; it carries the dimly lit nightclub atmosphere of its origin while remaining conversational and human. Harburg's lyrics about irresistible attraction balance playfulness with genuine emotion, and Huff's voicing lets that duality breathe.

Who it's for

This arrangement serves directors building a secular concert that needs sophistication without complexity. It works equally well for choirs with solid ensemble basics who are encountering jazz standards for the first time or experienced singers who want an accessible showstopper.

How to get the most out of it

  • Shape the phrasing around Harburg's lyrical storytelling rather than bar lines; the rhythm section in the accompaniment will support rubato if your soloists need breathing room
  • Keep the sound warm and intimate in the early verses, resisting the urge to oversell the drama until the arrangement naturally builds intensity
  • Balance the vocal blend carefully between the three parts, especially where the arrangement adds harmonic fills; clarity of text matters more than blend here

How to use it

Slot this into a program that pairs American songbook standards with contemporary repertoire; it serves as a polished palate cleanser between heavier choral works or as an opener that sets a sophisticated tone. The 11 pages make it substantial enough to anchor a set but lean enough to leave room for contrasting material.

Skills your students will build

  • Phrasing jazz standards with attention to lyrical intent rather than metric regularity
  • Balancing three-part harmony in music with chromatic voice leading
  • Interpreting swing rhythms and syncopation in ensemble contexts
  • Singing with stylistic warmth and character appropriate to the American songbook

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