Ohne Sorgen, Op. 271 (Polka Schnell; arrangement) Cover Image

Ohne Sorgen, Op. 271 (Polka Schnell; arrangement): Full Orchestra, Conductor Score & Parts

$45.00 USD
$45.00 USD
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Ohne Sorgen, Op. 271 (Polka Schnell; arrangement) Cover Image
Ohne Sorgen, Op. 271 (Polka Schnell; arrangement): Full Orchestra, Conductor Score & Parts

Ohne Sorgen, Op. 271 (Polka Schnell; arrangement): Full Orchestra, Conductor Score & Parts

By Josef Strauss, ed./arr. by Max Schoenherr

Item: 36-A795602
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Ohne Sorgen, Op. 271 (Polka Schnell; arrangement): Full Orchestra Condensed Score

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Description
Josef Strauss (1827-1870) wrote the fast polka OHNE SORGEN! (WITHOUT CARES), Op. 271 in the summer of 1869 while staying with his brother Johann in Pavlosk, which is near St. Petersberg. Having just recovered from an illness, Strauss wanted to create a lively music full of intoxicating optimism, with directions even given to the musicians to laugh ("ha, ha, ha"). The work premiered on September 10, 1869, less than a year before his passing. Instrumentation: 1+Picc.2.2.2: 4.3.3.1: Timp.Perc(3): Accordion.Pno Cond Sc in set: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 612735655495
SKU: 36-A795602
Instrumentation: 1+Picc.2.2.2: 4.3.3.1: Timp.Perc(3): Accordion.Pno Cond Sc in set: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Josef Strauss

Josef Strauss (1827-1870) was the younger brother of Johann Strauss II and a significant composer in his own right, contributing over 280 works to the Viennese dance music repertoire. Though often overshadowed by his more famous brother, Josef demonstrated equal mastery of orchestration and melodic invention, earning respect from contemporaries and establishing himself as a serious musician who conducted the Vienna Court Ball orchestras and premiered his works across Europe.

Josef's career was marked by recurring health struggles that periodically interrupted his compositional output. Despite these challenges, he maintained an prolific pace and developed a distinctive voice within the waltz and polka genres, favoring sophisticated harmonic language and intricate instrumental writing. His death at age 42 cut short a career that many believed would have yielded even greater achievements.

Why we love this

Ohne Sorgen captures the spirited resilience of a composer newly recovered from illness, with Strauss's gift for orchestration on full display. The explicit "ha, ha, ha" laughs written into the score give musicians permission to have genuine fun while maintaining the precision required of this genre, making it both musically satisfying and rehearsal-energizing for a full orchestra.

What to expect

Buoyant and infectious, with an almost infectious quality of joy that feels earned rather than imposed. The orchestration sparkles with color from the accordion and percussion, while the driving polka rhythm propels the ensemble forward with relentless good humor and warmth.

Who it's for

Full orchestra programs seeking authentic concert repertoire that challenges ensemble coordination without requiring extended technical virtuosity. Directors looking to program 19th-century Viennese music that audiences recognize and musicians enjoy performing will find this accessible yet satisfying.

How to get the most out of it

  • Keep the polka rhythm crisp and unified across the rhythm section; the accordion and piano parts are essential to maintaining the infectious forward drive that defines this work.
  • Encourage the ensemble to lean into the humor of the written laughter cues rather than treating them as awkward interruptions, which will unlock the intended spirit of optimism.
  • Balance the brass writing so that it punctuates rather than overwhelms the string foundation, preserving the clarity of Strauss's orchestral texture.
  • Shape the melodic lines with slight rubato during the main themes to avoid mechanical phrasing, even as you maintain rhythmic precision in the accompaniment figures.

How to use it

Program this as a centerpiece for a concert celebrating Viennese tradition, or use it as a palate-cleanser between heavier Romantic-era works. Its brevity and infectious energy make it ideal for family concerts or occasions where you want to showcase orchestral brilliance with immediate audience appeal.

Skills your students will build

  • Rhythmic precision in fast duple meter with complex syncopation
  • Sectional coordination between winds, brass, strings, and auxiliary percussion
  • Articulation control for rapid passage work in woodwinds and strings
  • Ensemble listening across a large orchestral texture with multiple independent lines
  • Historical style awareness specific to 19th-century Viennese dance music conventions

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