Oh, What a Wonderful Child: Choral Instrumental Pak
By Greg Gilpin
Item: 35-PK00272427
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About the Composer: Greg Gilpin

Greg Gilpin holds the distinction of being an ASCAP award-winning composer and arranger whose choral works have been performed at some of the world's most prestigious venues. From Carnegie Hall and Lincoln Center in New York to the Sydney Opera House, Royal Festival Hall in London, and Harpa Concert Hall in Reykjavik, his music reaches audiences across continents. As Director of Educational Choral Publications for Shawnee Press, Gilpin shapes the landscape of choral repertoire available to music educators everywhere.
Beyond the concert hall, Gilpin's creative reach extends into film scoring (earning Best Score recognition for the short film "Rosie's Rescue" in 2021) and collaborative projects with renowned artists like opera singer Angela Brown. He has also ventured into professional organizing and financial coaching, bringing the same precision and creativity that defines his compositional work to new fields. A member of ACDA, NAfME, and SAG-AFTRA, Gilpin continues to conduct, compose, and innovate across multiple disciplines.
Why we love this
Gilpin crafts holiday material that actually moves an audience instead of just filling a program slot. The flexibility of this pak matters in real life: you can scale the arrangement based on your instrumentation situation, your rehearsal time, and the acoustic of your performance space, which means you're not locked into one vision of how it should sound.
What to expect
Infectious joy packed into each phrase. The music radiates the kind of celebratory spirit that lifts an audience out of their seats, rooted in gospel tradition but crafted with contemporary sophistication and clear choral writing.
Who it's for
Holiday programs seeking music with genuine gospel warmth and energy rather than static arrangement choices. This works for intermediate to advanced choral ensembles that have rehearsal time to nail the rhythmic precision and stylistic nuance the genre demands.
How to get the most out of it
- Balance the vocal lines first before layering in instruments; the gospel energy of this piece lives in the choral writing, and instrumental additions should enhance rather than overshadow the text.
- If using the hot track, let your singers hear it multiple times during rehearsal so they internalize the rhythmic pocket and stylistic feel before adding stage performance complexity.
- Work the dynamic contrasts deliberately; gospel arrangements thrive on the push and pull between full-voiced moments and lighter textures, so resist the temptation to stay at one volume throughout.
How to use it
Slot this as a high-energy second-half opener to shift your concert's mood, or save it for your finale if you want to send the audience home buzzing. The multiple accompaniment options make it especially useful in a mixed program where you might start the evening with different instrumentation or acoustic contexts.
Skills your students will build
- Gospel rhythmic phrasing and stylistic interpretation
- Ensemble flexibility with multiple accompaniment options (piano alone, with instruments, or backing track)
- Dynamic control and contrasting vocal textures within an energetic idiom
- Rhythmic precision and syncopation common to gospel idiom