Oh sweet moon, oh fair night from The Merry Wives of Windsor Cover Image

Oh sweet moon, oh fair night from The Merry Wives of Windsor: SATB Choral Octavo

$5.95 USD
Sale price  $5.95 USD Regular price 
Skip to product information
Oh sweet moon, oh fair night from The Merry Wives of Windsor Cover Image

Oh sweet moon, oh fair night from The Merry Wives of Windsor: SATB Choral Octavo

By Otto Nicolai

Item: 98-EP10803

$5.95
Shipped

One moment…

Description
Oh sweet moon, oh fair night from The Merry Wives of Windsor by Otto Nicolai for mixed voice choir and piano.

Oh sweet moon, oh fair night from The Merry Wives of Windsor: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 4
ISBN10: 0-01-410518-7
ISBN13: 979-0-01-410518-1
UPC: 9790014105181
SKU: 98-EP10803

More about this title

About the Composer: Otto Nicolai

Otto Nicolai (1810, 1849) was a German composer and conductor whose operatic works earned him recognition across Europe during the early Romantic era. Though his career was cut short by illness, he left a legacy of skillfully crafted vocal music that balances dramatic expression with clear, singable writing for ensemble voices.

Nicolai's most enduring work is *The Merry Wives of Windsor*, an opera based on Shakespeare that showcases his gift for lyrical melody and accessible harmonic language. His choral excerpts from this work remain valuable teaching material because they demonstrate how to shape character and storytelling through music without excessive technical demands.

Why we love this

This excerpt captures a moment of quiet lyricism in an otherwise comedic opera, giving your choir a chance to explore gentle, romantic writing that sits comfortably for mixed voices. The Edition Peters edition provides clear part writing and piano support that makes it accessible for groups still building ensemble confidence, while the subject matter (a serenade under moonlight) creates vivid imagery that student singers can connect to emotionally.

What to expect

Soft and yearning, like standing in moonlight with something unresolved hanging in the air. The harmonic language shifts beneath a gentle melody, creating a sense of both tenderness and quiet tension that feels distinctly Romantic without becoming overwrought.

Who it's for

Intermediate to advanced mixed choirs looking for repertoire that develops lyrical control and ensemble balance. This works well for groups comfortable with four-part writing but ready to move beyond simpler harmonic progressions.

How to get the most out of it

  • Balance the soprano line delicately against the harmony below; this is a moment for intimacy rather than projection. Let the piano support carry the acoustic weight.
  • Shape phrases through legit connection rather than dramatic gestures. Nicolai's melodic arcs reward sustained tone and careful breath placement.
  • Address intonation challenges in the inner voices early. Tenors and basses often struggle with chromatic movement in Romantic writing; isolate these passages in sectionals.
  • Communicate the nocturnal mood through tempo stability and consistent dynamics. Rushing this music kills the atmosphere.

How to use it

Pair this with other opera excerpts for a short Romantic vocal program, or use it as a contrasting moment between livelier madrigals and part songs. It also works beautifully as a concert opener that sets a reflective tone before moving into more energetic selections.

Skills your students will build

  • Legit phrasing and sustained tone quality across longer melodic lines
  • Harmonic independence in the middle voices while supporting soprano melody
  • Intonation precision in chromatic passages typical of Romantic opera
  • Interpretive control of tempo and dynamics to serve dramatic context

You May Also Like