Oh How He Loves You And Me (with "Jesus, Lover Of My Soul") Sheet Music Preview

Oh How He Loves You And Me (with "Jesus, Lover Of My Soul"): SATB Choral Octavo

As performed by Charles Wesley / As performed by Simeon B. Marsh / As performed by Kurt Kaiser / As performed by Simeon Marsh / Arranged by John Purifoy

Item: 35-DS00275261

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00275261

More about this title

About the Artist: Charles Wesley

Charles Wesley (1707-1788) wrote more than 6,000 hymn texts during his lifetime, shaping the sound of Methodist worship and Christian hymnody for centuries to come. His gift for pairing profound theological reflection with singable, memorable melodies made complex spiritual ideas accessible to congregations of all musical backgrounds. Wesley's prolific output and pastoral sensibility established him as one of the most influential hymn writers in the English-speaking world.

Why we love this

John Purifoy's arrangement threads two beloved melodies together with genuine sophistication, avoiding the obvious harmonizations you might expect. The piece respects both the hymn's dignity and the contemporary warmth of 'Oh How He Loves You And Me,' creating a moment that feels both rooted and immediate.

What to expect

There's a luminous quality here, born from the gentle insistence of the traditional hymn melody meeting the contemporary warmth of Kaiser's composition. The piece feels both contemplative and affirming, drawing listeners into intimate reflection before opening into broader affirmation.

Who it's for

This arrangement serves choirs seeking substantial yet accessible sacred music for worship services, special occasions, or concerts with a religious context. It works equally well for church choirs of intermediate to strong ability and community or school choirs with solid ensemble experience.

How to get the most out of it

  • Bring out the interplay between the two melodic lines; they're not competing but conversing. Make sure sopranos and altos shape their phrases distinctly even when moving in similar motion.
  • Let the middle voices breathe. The alto and tenor lines contain thoughtful counterpoint that anchors the arrangement. Rehearse these parts independently so they support rather than cling to the sopranos.
  • Honor the text's emotional weight through dynamic restraint in the opening section. Save your intensity for moments where the arrangement builds, so the climax feels earned rather than imposed.

How to use it

Position this as a centerpiece for a worship service or sacred concert where you want to honor tradition without feeling bound by it. Its moderate length and emotional transparency make it an excellent choice for memorial services, dedications, or ecumenical programs where accessibility matters as much as artistry.

Skills your students will build

  • Singing two distinct melodic lines simultaneously without losing textural clarity
  • Balancing sustained harmonic support with the independence required for counterpoint
  • Shaping phrases that honor both hymnody's directness and contemporary song's flow
  • Sensitive dynamic control across an SATB texture without conventional crescendos

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