Oh, How Good It Is (arr. Keith Christopher): Choral Instrumental Pak

The unison writing makes this immediately learnable, yet the Celtic instrumental textures elevate it beyond simple congregational singing. Christopher captures that rare quality of seeming effortless while delivering genuine musical substance.

There's a lilt in this piece that feels both celebratory and intimate. The Celtic colors warm the harmonies, creating something that sounds festive without becoming frantic, sincere without heaviness.

Directors seeking a joyful, theologically straightforward opening for a service or concert. The minimal harmonic complexity makes it suitable for choirs still building their repertoire foundation, while the stylistic sophistication appeals to singers who value craftsmanship.

• Let the Celtic accompaniment breathe and establish character in the introduction before voices enter; the instrumental setting does half the work of conveying the piece's character.
• Shape the unison passages with dynamic clarity rather than uniformity. Small swells on key phrases will keep the melody alive without requiring complex part coordination.
• Emphasize clarity of text in the opening statements, since comprehension of the 'unity' and 'divine love' message anchors the piece's spiritual intent.

This works beautifully as a service opener or concert opener when you want to establish an uplifting, welcoming mood. Pair it with another Keith Christopher arrangement to showcase his distinctive approach to congregational writing, or use it as the anchoring piece in a suite of unity-themed worship selections.

• Singing with conviction in unison while maintaining musical phrasing
• Responding to instrumental accompaniment textures and sustaining ensemble balance
• Interpretation of sacred text with appropriate reverence and joy