Oh! Had I Jubal's Lyre Cover Image

Oh! Had I Jubal's Lyre: Brass Quintet Score & Parts

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Oh! Had I Jubal's Lyre Cover Image

Oh! Had I Jubal's Lyre: Brass Quintet Score & Parts

Tuba Feature

By George Frederic Handel / arr. David Marlatt

Level: Medium

Item: 81-BQ2188

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Description
This is a tuba solo. There are short interjections by the other players but mainly this is a technical feature for the tuba player. The scales and arpeggios in this showpiece fit nicely under the fingers which makes this solo sound harder than it is!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001491
SKU: 81-BQ2188
Instrumentation: Brass Quintet

More about this title

About the Composer: George Frederic Handel

George Frideric Handel (1685-1759) shaped the Baroque era through his mastery of melody, harmonic language, and instrumental writing. His works for brass and keyboard established templates that composers still follow today, and his gift for crafting lines that sit naturally under a performer's fingers appears throughout his catalog.

Why we love this

David Marlatt's arrangement transforms a vocal line into a genuine tuba showcase without losing Handel's elegant phrasing. The supporting quintet parts remain spare enough that the soloist stays front and center, and the scale and arpeggio writing sits so comfortably on the instrument that players sound more advanced than the medium difficulty level suggests.

What to expect

Noble and reflective, with moments of virtuosic sparkle. The rapid passage work glimmers against the warm foundation of the brass ensemble, creating a sense of effortless brilliance that rewards careful phrasing and attention to line.

Who it's for

Tuba players in advanced middle school or high school brass quintets looking for repertoire that builds confidence and showcases their instrument. This arrangement also works well for college quintets preparing contest or festival programs that need a substantial solo feature without overwhelming technical demands.

How to get the most out of it

  • Shape the lyrical passages with the breath and allow the phrase direction to guide your tempo rather than rushing through the rapid figuration.
  • Balance your dynamic approach between the solo sections and the quiet interjections from the other brass; let those moments breathe and reset the listener's ear before your next entrance.
  • Treat the scales and arpeggios as musical statements, not technical exercises. Handel's lines always serve the melody first, so maintain a singing quality even at faster speeds.

How to use it

Program this as a centerpiece in a brass quintet recital or festival performance, especially when you want to highlight your tuba soloist without veering into contemporary or novelty territory. Its Baroque elegance pairs well alongside other arranged masterworks or original quintet compositions in a varied concert.

Skills your students will build

  • Phrasing within rapid scale and arpeggio figures
  • Solo performance presence in a chamber ensemble setting
  • Baroque style and articulation conventions
  • Balance between lyrical and technical passages
  • Collaborative listening while leading an ensemble

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