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Offertories for Worship: Praise and Worship: Piano Book

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Offertories for Worship: Praise and Worship: Piano Book

Piano Arrangements for Offerings or Other Occasions

Arranged by Carol Tornquist

Level: Late Intermediate / Early Advanced

Item: 00-47914

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Description
The Worship Essentials series offers a valuable resource for church pianists that includes collections with accessible piano arrangements specifically for preludes, offertories, and postludes. This book includes selections of contemporary Christian hits appropriate for offertory music. Titles: Amazing Grace (My Chains Are Gone) (Chris Tomlin) * Be the Centre (Vineyard Worship) * Cornerstone (Hillsong Worship) * Give Thanks (Don Moen) * God of Wonders (Third Day) * Holy Is the Lord (Chris Tomlin) * I Can Only Imagine (MercyMe) * Lord, I Need You (Matt Maher) * Majesty (Here I Am) (Delirious?) * Oceans (Where Feet May Fail) (Hillsong United) * We Believe (Newsboys) * What a Beautiful Name (Hillsong Worship).

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Additional Details
Series: Worship Essentials
Publisher: Alfred Music
Page Count: 40
ISBN10: 1-4706-4216-6
ISBN13: 978-1-4706-4216-7
UPC: 038081549262
SKU: 00-47914

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear in northwestern Pennsylvania at age four and went on to study at the Warren Conservatory of Music before earning her B.S. in Music Education from the State University of New York at Fredonia. After teaching vocal music in upstate New York and instructing for the international Yamaha Music School, she moved to Nashville where she started writing piano transcriptions, a role that launched her into a prolific arranging career.

Over the past two decades, Tornquist has arranged more than four hundred solo piano collections. Her work as an Alfred author since 2010 reflects her deep understanding of what church pianists need: arrangements that honor both traditional and contemporary worship contexts while remaining genuinely playable. She brings a teacher's sensibility to every score, creating harmonic and rhythmic textures that feel fresh without demanding virtuosity.

Why we love this

Tornquist's arrangements of these contemporary Christian standards strike the rare balance between musical substance and accessibility. A church pianist can move from "Amazing Grace (My Chains Are Gone)" to "Oceans" to "Cornerstone" without running into unplayable passages, yet each piece retains the harmonic sophistication that keeps adult musicians engaged. The collection gives you twelve sermon-worthy offertory moments without requiring a constantly rotating roster of substitute players.

What to expect

These arrangements honor the singability and emotional directness of the original songs while adding harmonic depth and pianistic texture. You'll recognize each tune immediately, but the piano part invites you into the song rather than simply accompanying it, with gentle rhythmic interplay and voicing choices that reflect modern worship sensibilities without losing reverence.

Who it's for

Church pianists who regularly play offertories and need a curated, playable collection of songs that bridge traditional and contemporary worship styles. This book works equally well for late intermediate pianists in their first church position and early advanced players looking for fresh arrangements of familiar material without the complexity of classical transcriptions.

How to get the most out of it

  • Pay attention to the dynamic shapes Tornquist marks throughout each arrangement; they guide the emotional arc of the offertory and create natural breathing room between phrases.
  • Let the rhythmic patterns settle into your fingers before worrying about tempo. Many of these pieces use syncopation or gentle subdivisions that feel unnatural until they're physically familiar.
  • Use the harmonic movement as your anchor when accompanying sung portions or when the arrangement calls for flexibility in pacing.
  • Approach the contemporary voicings (especially in pieces like "Oceans" and "What a Beautiful Name") as color choices rather than departures from hymn-style playing; they're intentional and serve the text.

How to use it

Build your offertory rotation for a full liturgical season or year by drawing from different pieces in the collection, ensuring variety in tempo, harmonic color, and textural density. These arrangements also serve pianists who need flexible-length pieces that can be shortened by repeating fewer verses or extended to fill variable time slots during communion or prayer seasons.

Skills your students will build

  • Interpreting contemporary harmonic voicings and chord substitutions in a worship context
  • Playing with rhythmic flexibility while maintaining a steady underlying pulse
  • Translating between familiar melodies and fresh pianistic arrangements
  • Managing the balance between accompanying the congregation and adding musical interest through the piano part
  • Reading and executing dynamic and expressive markings that enhance spiritual atmosphere

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