Of Wizards and Warriors Cover Image

Of Wizards and Warriors: Concert Band Conductor Score & Parts

$65.00 USD
Sale price  $65.00 USD Regular price 
Skip to product information
Of Wizards and Warriors Cover Image

Of Wizards and Warriors: Concert Band Conductor Score & Parts

By Roland Barrett

Grade: 2.5

Item: 98-B1258

Need it now?

Buy Digital Version
$65.00
Shipped

One moment…

Description
Transport your audience back to medieval times with this spirited and bold work for young band. The noble opening instantly conjures images of a world where magic and chivalry abound. As tempo picks up, the entire ensemble drives forward as layer upon layer is added. A beautiful lyrical section builds to a powerful impact before the piece moves to a final section beginning with a trumpet ostinato that alternates between 4/4 and 2/4. As layers are added at different speeds, the piece builds to a dramatic conclusion!

Of Wizards and Warriors: Concert Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 674398217434
SKU: 98-B1258

More about this title

About the Composer: Roland Barrett

Roland Barrett

Roland Barrett holds a faculty position at the University of Oklahoma, where he teaches music theory and composition with a focus on 20th century studies. His work spans undergraduate and graduate levels, and he continues to arrange for the Pride of Oklahoma marching band.

Barrett has established himself as a prolific composer and arranger with more than two hundred published works for symphonic band, chamber ensembles, and marching organizations. His compositions have been commissioned and performed by the Dallas Wind Symphony, All-State and All-Region honor bands across the country, and have been broadcast on NPR and featured at major conventions including the Midwest Band & Orchestra Convention and the International Trumpet Guild conference. He is a multiple ASCAPlus award recipient and a former Michael Hennagin Memorial Scholarship recipient in composition.

Why we love this

This piece captures the energy and imagination of young musicians while maintaining genuine musical substance. The architecture is smart: Barrett paces the drama carefully, starting with a noble fanfare that hooks listeners immediately, then layering complexity as the ensemble builds confidence. Contest adjudicators and audiences both respond to the clarity of the thematic material and the way the finale's shifting meters (4/4 and 2/4) create forward momentum without overwhelming Grade 2.5 bands.

What to expect

Medieval pageantry unfolds with nobility and swagger. The piece opens with ceremonial splendor, then surges forward with infectious momentum as instruments layer in like an army assembling. A graceful interlude offers respite before the final drive home, where shifting metric ground keeps the ensemble alert and the audience leaning forward.

Who it's for

Concert bands at the Grade 2.5 level seeking repertoire that combines accessibility with musical maturity. This work rewards young musicians who are developing ensemble control and balance while appealing to audiences that appreciate narrative structure and dramatic pacing.

How to get the most out of it

  • Shape the noble opening with a clear long line rather than breaking it into separate statements; this sets the medieval atmosphere and gives your opening impact.
  • When the tempo accelerates and layers enter, maintain clean vertical alignment through rehearsal by isolating individual sections' entrances before combining them.
  • The trumpet ostinato in the final section must anchor the meter changes; have trumpets lock their rhythm while other voices add textural layers around them.
  • Balance the beautiful lyrical section carefully so it contrasts noticeably with the driving sections that surround it; this dynamic shaping makes the finale feel earned rather than rushed.

How to use it

Program this as a contest or festival selection where thematic clarity and structural coherence matter; adjudicators recognize the craft. It also works well as an opening piece on a concert where you want to establish energy and draw the audience in immediately, or as a bridge between lighter and more serious repertoire on a mixed program.

Skills your students will build

  • Ensemble balance while managing multiple simultaneous melodic lines
  • Reading and performing meter changes between 4/4 and 2/4
  • Maintaining tempo stability when the conductor shifts pulse or direction
  • Shaping lyrical phrasing within a primarily rhythmic context
  • Responding to layered orchestration and dynamic contrast

You May Also Like