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Obsidian: String Orchestra, Score and Parts

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Obsidian: String Orchestra, Score and Parts

By Thom Sharp

Grade: 3.5

Item: 36-52250966

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Description
This dark and moody rock is set in G minor and has a Middle Eastern flair to it. Any similarities with "Led Zeppelin's" Kashmir are purely coincidental! If your students have electric instruments, this is the perfect number to break them out! Dramatic!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Obsidian: String Orchestra, Score and Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876631-X
ISBN13: 978-1-62-876631-8
UPC: 746241268365
SKU: 36-52250966
Instrumentation: String Orchestra and Drum Kit

More about this title

Why we love this

Obsidian cracks open what string orchestras can do beyond the classical canon. The G minor tonality paired with Middle Eastern inflection gives your students genuinely fresh material to sink their teeth into, and if you have access to electric instruments, this becomes a rare opportunity to collapse the boundary between traditional ensemble and contemporary sound design.

What to expect

Dark, hypnotic, with an exotic edge that makes the minor key feel expansive rather than mournful. The rhythm has weight and deliberation, pulling listeners into a moody landscape that feels both ancient and modern.

Who it's for

String orchestras at the 3.5 grade level ready to venture beyond traditional repertoire. This works for groups with mixed acoustic and electric capability, though it reads clearly on acoustics alone if needed.

How to get the most out of it

  • Lean into the drum kit. This isn't just accompaniment; the percussion is structural. Make sure your kit player locks in early in rehearsal so the strings know exactly where the groove sits.
  • Explore the tonal difference between pizzicato and arco passages. The piece thrives on contrast, so exaggerate the shift between sections rather than smoothing over it.
  • If you're using electric strings, balance is critical. Run a rehearsal with just acoustics first to establish the piece's foundation, then layer in electrics gradually so students understand what they're building on.

How to use it

Program Obsidian on a concert that plays with contrasts, or use it as a closing piece that leaves audiences in a different headspace than where they started. It's also a natural fit for festival competition where the dramatic presentation and instrumentation create a memorable impression.

Skills your students will build

  • Reading modal and Middle Eastern melodic contours
  • Maintaining rhythmic precision against a fixed percussion groove
  • Balancing articulation between pizzicato and sustained bowing
  • Blending acoustic and electric timbres within an ensemble

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