Oboe Concerto in C Hob. VIIg:C1 (Edition for Oboe and Piano) Cover Image

Oboe Concerto in C Hob. VIIg:C1 (Edition for Oboe and Piano): Oboe & Piano

$26.95 USD
Sale price  $26.95 USD Regular price 
Skip to product information
Oboe Concerto in C Hob. VIIg:C1 (Edition for Oboe and Piano) Cover Image

Oboe Concerto in C Hob. VIIg:C1 (Edition for Oboe and Piano): Oboe & Piano

By Joseph Haydn / arr. Rolf-Julius Koch / ed. Rolf-Julius Koch

Item: 98-EP8233

$26.95
Shipped

One moment…

Description

Oboe Concerto in C Hob. VIIg:C1 (Edition for Oboe and Piano): Oboe & Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 52
ISBN10: 0-01-406321-2
ISBN13: 979-0-0140-6321-4
SKU: 98-EP8233

More about this title

About the Composer: Joseph Haydn

Joseph Haydn (1732, 1809) shaped the classical symphony, string quartet, and concerto form during a career that spanned nearly six decades. Working first as kapellmeister to the Esterházy family and later as an independent composer in Vienna, Haydn developed a gift for combining architectural clarity with wit and surprise. His oboe concerto emerged from a period when he was writing prolifically for wind instruments, understanding their capabilities and expressive range as intimately as any composer of his era.

Why we love this

Haydn's oboe writing here balances virtuosity with genuine lyricism, never asking the player to sacrifice musicality for display. The work sits comfortably under the fingers while remaining sophisticated enough to hold an audience, a rare combination that makes it equally valuable in a studio recital or a chamber concert.

What to expect

Graceful and unhurried, with the character of a conversation between two equals. The oboe sings with a courtly elegance throughout, the fast movements buoyant and playful rather than showy, while the slow movement unfolds with genuine tenderness.

Who it's for

Oboe students working at the early advanced level or solid intermediate-advanced repertoire will find a work that respects their developing technique without overwhelming it. This edition, arranged for oboe and piano, opens the concerto to players without access to a full orchestra or to those seeking a more intimate performance context.

How to get the most out of it

  • Approach the passage work with a light articulation that lets the sixteenth-note figurations breathe rather than blur together; clarity serves the melodic shape underneath.
  • Shape the slow movement's arching phrases by thinking in long phrases rather than note-by-note, letting the piano's harmonic support guide your direction.
  • Coordinate with the pianist on the cadenza-like passages to ensure the oboe remains the storyteller while the keyboard provides responsive underpinning.

How to use it

Position this as a bridge between shorter recital pieces and more demanding orchestral solos, or pair it with other Classical-era woodwind repertoire to frame a program around the period's refinement. It also serves well in a chamber music concert that pairs winds with piano.

Skills your students will build

  • Sustaining legit melodic lines across multiple phrases
  • Coordinating articulation and phrasing between soloist and accompanist
  • Classical-era ornamentation and style conventions
  • Managing tempo and character in both fast and slow movements
  • Balancing technical figuration with expressive intent

You May Also Like