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O Worship the King for SATB Choir and Organ: Choral Works (inc. Oratorios)

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O Worship the King for SATB Choir and Organ Cover Image

O Worship the King for SATB Choir and Organ: Choral Works (inc. Oratorios)

Hymn-Anthem on "Hanover" (Epiphany)

By Ulysses Kay

Item: 98-EP6223

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-30-071028-3
ISBN13: 979-0-3007-1028-0
SKU: 98-EP6223

More about this title

About the Composer: Ulysses Kay

Ulysses Kay (1917-1995) was a prolific American composer whose work bridged concert hall and sacred music traditions. A student of Paul Hindemith, Kay developed a compositional voice rooted in accessible lyricism and clear harmonic thinking, making his music both intellectually sound and emotionally direct. His contributions to choral literature remain significant, particularly his settings of sacred texts that honor the dignity of the words while maintaining strong musical architecture.

Kay's approach to sacred music reflects his belief that choral writing should serve the text without sacrificing artistic integrity. His works were championed by major choirs and conductors throughout his career, and his legacy continues to provide American choral directors with substantial, singable literature that challenges without overwhelming.

Why we love this

Kay's arrangement balances the hymn's familiar melodic foundation with genuine compositional craft. The organ writing supports rather than overshadows the voices, and the harmonic language feels both rooted in tradition and thoughtfully modern. Choirs will appreciate how singable this is while still offering real substance for a worship service or concert program.

What to expect

Reverent and grounded. Kay's setting honors the majesty and contemplative character of the text while the organ provides both harmonic weight and forward momentum. The writing creates space for singers to shape phrases expressively, with a sense of dignity that never turns stiff.

Who it's for

This octavo works well for church choirs preparing repertoire for worship services, as well as community and school choirs programming a sacred concert or festival. Singers with basic ensemble experience can manage the part-writing, making it accessible for intermediate-level choirs without being simplistic.

How to get the most out of it

  • Honor the hymn tune's strong meter and pulse; resist dragging by keeping steady forward motion through the longer note values.
  • Balance the soprano line in passages where the organ's right hand parallels the melody; the choir should shine without the accompaniment retreating to nothing.
  • Shape each stanza distinctly. If repeating the text, vary the dynamic weight and articulation slightly to maintain listener engagement across all verses.
  • Work the inner voices separately before full ensemble rehearsals. The alto and tenor lines often carry important harmonic color that gets lost if the section isn't secure on its own.

How to use it

Consider pairing this with other contemporary settings of hymn texts, or program it as the centerpiece of a worship-focused concert segment. Its length and moderate difficulty make it an excellent choice for a spring concert that mixes sacred and secular repertoire, or as a closing piece that leaves the audience in a thoughtful, elevated mood.

Skills your students will build

  • Singing hymn-based repertoire with musical interpretation beyond rote performance
  • Balancing awareness of a complex organ part while maintaining independent vocal lines
  • Sustaining longer phrases with consistent tone quality and breath control
  • Following harmonic direction within traditional and extended harmonic language

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