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O Tannenbones: Concert Band Conductor Score & Parts

$40.00 USD
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O Tannenbones Cover Image

O Tannenbones: Concert Band Conductor Score & Parts

Trombone Feature

Arranged by Timothy Loest

Grade: 1

Item: 98-B1251

$40.00
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Description
Show off your trombone section with this upbeat, delightful swing setting of the beloved carol O Tannenbaum. Expertly scored, this fun-filled arrangement will keep your students fully engaged and your audience smiling. The spooky middle section presents a clever stylistic twist in which the trombones begin to haunt the band while supported by a variety of percussion instruments, including brake drum and flexatone. Easy to put together and fun to perform!

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 674398216925
SKU: 98-B1251

More about this title

About the Arranger: Timothy Loest

Timothy Loest

Timothy Loest has spent over three decades in the classroom building a reputation for writing music that works for young musicians while never talking down to them. His compositions and arrangements appear regularly on network television programs and in concert halls across the country, and his pedagogical contributions to methods like Measures of Success® have shaped how countless directors teach musicianship. In 2017, his orchestral work Cloud Gate was performed for over 5,000 people at Chicago's Millennium Park, and that same year he received the Cloyd Myers Memorial Award for Excellence in Music Education from the Illinois Grade School Music Association, the highest honor given by that organization.

Loest founded Fanfare Music Press in 2022 to continue publishing high-quality band literature and arrangements. His work spans multiple publishers including FJH Music Company, C.L. Barnhouse Company, and MakeMusic Publications, with a catalog extending back to his first publication in 1995. He holds degrees from Illinois State University and Northwestern University, maintains membership in ASCAP, and continues to accept commissions for band music.

Why we love this

A Grade 1 arrangement that treats the trombone section as genuine soloists rather than harmonic filler sets this apart from routine holiday fare. The swing style energizes a familiar tune without losing its character, and the spooky middle section with brake drum and flexatone percussion provides an unexpected moment of theatrical fun that audiences genuinely react to. This is the kind of piece that makes rehearsal day feel like rehearsal week went well.

What to expect

Bright, swinging, and full of holiday warmth until the middle section pulls back the curtain on something delightfully spooky. The arrangement balances joy and humor in a way that feels fresh rather than saccharine, with the trombones driving the energy from start to finish.

Who it's for

Band directors programming winter concerts or holiday pops events who want a piece that showcases trombone and engages both student musicians and audiences. Grade 1 musicians who are ready for stylistic variety and rhythmic precision within an accessible range.

How to get the most out of it

  • Work the trombones' entrance and articulation crisply in the swing style; the character of the whole arrangement rests on their rhythmic clarity and confidence.
  • Balance the brake drum and flexatone in the middle section carefully so they enhance rather than overpower the trombone haunt; rehearse these percussion parts alongside the brass.
  • Keep the tempo consistent and energetic throughout; this arrangement thrives on forward motion and the playfulness will disappear if the band drags.

How to use it

Pair this with other upbeat holiday selections to create a pops section that mixes tradition with contemporary style, or use it as the opener to a winter concert to set an energetic, playful tone. It works equally well as a stand-alone feature for a holiday assembly or school concert where audience appeal matters as much as musicianship.

Skills your students will build

  • Swing articulation and rhythmic precision
  • Trombone solo confidence and projection
  • Balance and blend in a stylistic context
  • Synchronization with non-pitched percussion instruments
  • Interpretation of contrasting moods within a single arrangement

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