O Tannenbaum (arr. Michele Fernández): Jazz Ensemble Conductor Score & Parts
Arranged by Michele Fernández
Grade: 3
Item: 35-PK01684407
$50.00
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Description
A Cuban Cha-cha-chá arrangement of O, Christmas Tree in 4/4? Yes it is! This out-of-the-box setting of one of the most beloved Christmas songs has it all. Fun and accessible parts for all sections, detailed percussion scoring, a killer shout chorus and a groove that will make it impossible to sit still. Open solo section. Lead Trumpet plays up to A and lead Trombone plays up to F. A guaranteed favorite on every program!
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK01684407
More about this title
Why we love this
Fernández takes a carol that every audience knows and reimagines it with genuine rhythmic swagger. The detailed percussion scoring and open solo section give your ensemble room to shine individually while the shout chorus brings everyone together in a moment that lands every single time.
What to expect
Infectious and propulsive. The cha-cha-chá rhythm drives everything forward with an irresistible swing that makes the familiar melody feel fresh and alive. By the shout chorus, the entire room is moving together, caught in a groove that dissolves the line between performer and listener.
Who it's for
Jazz ensembles at the intermediate level who want a holiday showstopper that doesn't require advanced technical chops. This works equally well for groups building their Latin jazz vocabulary or for ensembles looking to program something that engages both musicians and audiences in genuine fun.
How to get the most out of it
- Establish the cha-cha-chá pulse early in rehearsals by isolating the rhythm section without the melodic instruments. Once the clave feel locks in, the ensemble will find the groove naturally.
- Shape the open solo section by encouraging soloists to trade phrases and respond to each other, not just play through their time. This transforms a structural moment into genuine conversation.
- Balance the shout chorus so the tutti passages cut without drowning out the rhythmic detail underneath. The fun lands hardest when listeners can hear both the punch and the pocket.
- Check intonation on the sustained harmony notes in the shout chorus, particularly in the lead trumpet and lead trombone ranges where tuning drifts most easily under performance adrenaline.
How to use it
Perfect for holiday concerts where you want to demonstrate your ensemble's range beyond straight swing and bebop styles. The accessibility and immediate appeal make it an excellent closer or program centerpiece, especially in programs that might include more traditional concert fare. Consider pairing it with another Latin jazz selection to showcase a full rehearsal cycle in a particular style.
Skills your students will build
- Reading and executing cha-cha-chá rhythmic patterns across mixed sections
- Solo construction and navigation of open chorus sections
- Balancing ensemble tuning in sustained harmonic moments
- Responding to and executing detailed percussion scoring
- Understanding clave-based grooves and maintaining tempo feel with Latin jazz phrasing