O magnum mysterium (Motet for Christmas) Cover Image

O magnum mysterium (Motet for Christmas): Choral Works (inc. Oratorios)

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O magnum mysterium (Motet for Christmas) Cover Image

O magnum mysterium (Motet for Christmas): Choral Works (inc. Oratorios)

for 8-Part Mixed Choir a cappella

By Hayes Biggs

Item: 98-EP67488

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Description

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-30-074058-1
ISBN13: 979-0-3007-4058-4
SKU: 98-EP67488

More about this title

Why we love this

This setting brings fresh musicality to a liturgical text that choirs return to year after year. Biggs writes with sensitivity to text and voice, creating moments of both contemplative beauty and structural clarity that work well in either concert or worship contexts.

What to expect

Reverent and luminous, with the contemplative quality the text demands. The harmonic language creates moments of quiet wonder that invite listeners into reflection rather than spectacle.

Who it's for

Intermediate to advanced choirs with solid four-part blend and musicianship. This work suits both church choirs during the Christmas season and collegiate or community ensembles looking for accessible yet substantive choral repertoire.

How to get the most out of it

  • Balance the inner voices carefully; they often carry harmonic weight that can muddy if oversupported relative to soprano and bass lines.
  • Shape phrases across longer arcs rather than by individual measures; the text will guide your phrasing naturally if you resist the temptation to reset energy at cadences.
  • Let the harmonic language breathe; resist rushing through chord changes, as the vertical sonorities are part of the compositional design.

How to use it

Program this as a centerpiece in a Christmas concert or as the anchor of a sacred music service. Its twelve pages allow it to command a full program slot without overwhelming rehearsal time, and it pairs well with both unaccompanied works and pieces with accompaniment.

Skills your students will build

  • Reading and singing four-part choral texture with independent voice lines
  • Interpreting text expression and phrasing in a liturgical context
  • Balancing harmonic blend across soprano, alto, tenor, and bass parts
  • Sustaining pitch accuracy during longer held notes and chord changes

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