O Lord God of Hosts Op. 27 Cover Image

O Lord God of Hosts Op. 27: Choral Works (inc. Oratorios)

$3.50 USD
$3.50 USD
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O Lord God of Hosts Op. 27 Cover Image
O Lord God of Hosts Op. 27: Choral Works (inc. Oratorios)

O Lord God of Hosts Op. 27: Choral Works (inc. Oratorios)

Anthem for Mixed Choir, Organ (Piano) and 2 Trumpets, 2 Trombones ad lib.

By Alan Hovhaness

Item: 98-EP66188
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-30-071856-X
ISBN13: 979-0-3007-1856-9
SKU: 98-EP66188

More about this title

About the Composer: Alan Hovhaness

Alan Hovhaness (1911-2000) was an Armenian-American composer whose prolific catalog encompasses over 500 works across all genres. Rooted in Armenian and Eastern Orthodox musical traditions, his compositional voice combined modal harmony, open sonorities, and spiritual depth with a direct accessibility that appealed to performers at every level. His choral works, in particular, reflect his lifelong engagement with sacred texts and his belief that music could serve both artistic and devotional purposes.

Why we love this

Hovhaness brings genuine spiritual substance to this octavo without requiring elaborate resources or technical excess from singers. The modal vocabulary and open textures make the piece singable for developing choirs while retaining the contemplative power that distinguishes his sacred writing from more conventional devotional settings.

What to expect

The music unfolds with quiet reverence and modal clarity. Hovhaness's characteristic use of open intervals and stepwise motion creates an atmosphere of meditative stillness, drawing listeners inward rather than outward. The setting feels timeless, shaped more by liturgical tradition than by the harmonic language of a particular era.

Who it's for

This octavo suits choirs with developing sight-reading skills and limited rehearsal time; its accessibility and spiritual directness make it valuable for both church music programs and educational concert settings. Conductors seeking repertoire that honors sacred text without demanding advanced vocal technique will find it rewarding.

How to get the most out of it

  • Treat the text with liturgical care; Hovhaness wrote these texts to carry weight, so allow silence and resonance between phrases rather than pushing through the music
  • Shape phrases around the natural breathing and stress patterns of the English text, not against them
  • Balance the harmonic openness by maintaining clarity of line; each voice part should sing its own melody confidently, trusting that the modal harmony will create the intended effect

How to use it

This work fits naturally into sacred or spiritual concert programs, either as a standalone offering or as part of a broader exploration of contemporary Orthodox or Armenian-influenced choral literature. Its relative brevity and accessibility make it suitable for both spring and fall concert calendars, and it pairs well with other contemplative repertoire.

Skills your students will build

  • Reading modal melodies with confidence and pitch accuracy
  • Sustaining long phrases with steady breath support
  • Balancing individual vocal lines within open harmonic textures
  • Interpreting sacred text with appropriate expressiveness and restraint

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