O Come To Us, Emmanuel Sheet Music Preview

O Come To Us, Emmanuel: SAB Choral Octavo

By Joseph M. Martin

Item: 35-DS00433671

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00433671

More about this title

About the Composer: Joseph M. Martin

Joseph M. Martin

Joseph M. Martin studied piano performance at Furman University and earned his master's degree from the University of Texas at Austin, where he later taught in the Piano Pedagogy Department for five years. His performance career has taken him across the United States and Mexico, including a featured appearance with the Guadalajara Symphony Orchestra as winner of the Nina Plant Wideman Competition, and his recital work has been broadcast nationally. Today he divides his time between concert performance and composing and arranging sacred music, with works that have been heard in venues ranging from Carnegie Hall to churches throughout North America. He makes his home in Austin, Texas with his wife Sue and their children Jonathan and Aubrey.

Why we love this

Martin's setting strips away unnecessary complexity while maintaining harmonic sophistication; the SAB voicing sits naturally for mixed ensembles without condescending to the singers. The text receives clear, reverent treatment that lets both the words and the music do their work, making this a genuine asset for holiday programming rather than filler.

What to expect

Reverent without being austere, this setting captures the quiet longing of the Advent season. The harmonic language feels both familiar and fresh, inviting listeners into a moment of reflection rather than spectacle.

Who it's for

Choirs of any experience level looking for accessible sacred repertoire that doesn't sacrifice musical integrity. Works well for ensembles with limited male voices or those seeking genuinely singable holiday material that fits into worship services and concert settings alike.

How to get the most out of it

  • Shape the melody with long phrase arcs rather than emphasizing individual measures; this carol rewards singers who think in larger musical units.
  • Balance the inner voices carefully so the harmonic movement becomes apparent without drowning out the sopranos.
  • Allow space between phrases so the text can breathe and listeners can absorb the meaning before the next section begins.

How to use it

Feature this during your Advent or Christmas service alongside other carol settings to show varied approaches to the same beloved text. Its nine pages make it substantial enough for a concert closer while remaining intimate enough for smaller ensemble work or congregational participation.

Skills your students will build

  • Singing sustained lines within a three-part texture
  • Identifying and executing harmonic changes
  • Text expression in sacred music
  • Balance and blend in mixed voicing

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