O Come, O Come, Emmanuel Cover Image

O Come, O Come, Emmanuel: Brass Quintet Score & Parts

$20.00 USD
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O Come, O Come, Emmanuel Cover Image

O Come, O Come, Emmanuel: Brass Quintet Score & Parts

Veni, Veni Emmanuel

Traditional / arr. Joel Treybig

Level: Medium

Item: 81-BQ225605

$20.00
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Description
O Come, O Come, Emmanuel<.i> is chant from the 8th or 9th century and this arrangement for brass, organ and choir cleverly weaves the melody throughout the performers and adds descants above the chant tune by various members of the brass quintet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77893-192-8
ISBN13: 978-1-77893-192-5
UPC: 685462031931
SKU: 81-BQ225605

More about this title

Why we love this

Treybig's arrangement respects the ancient chant while giving each brass voice a moment to carry and ornament the melody. The addition of descants creates textural interest that keeps the piece engaging for both players and listeners, and the integration with organ and choir makes it a natural fit for holiday services or secular holiday concerts.

What to expect

Reverent and meditative, with moments of gentle warmth as the melody passes between instruments. The descants add luminous color without disrupting the chant's contemplative foundation, creating an arrangement that honors centuries of tradition while offering fresh orchestration.

Who it's for

Brass quintets performing in holiday liturgical settings, community concert programs, or interfaith celebrations. This arrangement also works well for college or advanced high school brass ensembles seeking accessible seasonal literature that pairs singing and instrumental voices.

How to get the most out of it

  • Balance the chant melody carefully across the quintet members; when the tune passes from one player to another, maintain consistent phrasing and dynamic so the line feels continuous.
  • Use the organ part to anchor harmonic support and help blend the brass sonority, especially during moments when multiple voices are active.
  • Shape the descant passages with clarity and slightly lighter articulation than the main chant, so they sit above rather than compete with the foundational melody.
  • If performing with choir, rehearse the brass and choir separately first to establish secure pitches and rhythms, then combine to find balance in full run-throughs.

How to use it

Schedule this during the winter holiday season as a centerpiece for a brass-and-choir collaboration concert. It pairs naturally with other brass literature and choral works, and its moderate difficulty makes it accessible for mixed-level ensembles working together.

Skills your students will build

  • Phrasing across instrument transitions within a single melodic line
  • Balance between solo melody and supporting harmony in a brass ensemble
  • Collaboration between brass instrumentalists and vocalists
  • Interpretation of sustained chant melody with appropriate breath and articulation choices

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