O Come and Sing of Christmas: Choral Instrumental Pak
Arranged by Greg Gilpin
Item: 35-PK00294787
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About the Arranger: Greg Gilpin

Greg Gilpin has built a distinctive career at the intersection of choral artistry and music publishing. As Director of Educational Choral Publications for Shawnee Press and an ASCAP award-winning composer and arranger, he brings deep knowledge of what works in rehearsals and concert halls. His conducting credentials span prestigious venues from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall, grounding his arrangements in real performance experience.
Beyond the music world, Gilpin has developed parallel expertise as a certified financial coach and professional organizer, applying the same clarity and structure he brings to his compositions. His recent work includes scoring the award-winning short film "Rosie's Rescue" and collaborating with soprano Angela Brown on a new arrangement of "What Child is This?" performed by the Indianapolis Symphonic Choir. He remains active in ACDA, NAfME, and Phi Mu Alpha Sinfonia.
Why we love this
The progression from minor key spiritedness into a major key finale gives this medley genuine dramatic shape instead of just stringing carols together. Gilpin's optional brass quintet writing adds festive color without demanding extensive rehearsal, and the four-minute duration fits perfectly as either a concert opener with immediate energy or a closing statement that lands with real weight.
What to expect
The piece moves through winter darkness into festive light without becoming saccharine. The minor key sections carry genuine expressive weight, almost introspective, before the shift into major tonality releases into celebration and warmth.
Who it's for
Holiday concerts looking for something more sophisticated than straightforward carol medleys will find a vehicle that respects choir skill while remaining accessible. Directors seeking a statement opener or closer, especially those with brass players available, will appreciate the arrangement's architectural confidence.
How to get the most out of it
- Balance the minor key passages so they feel contemplative rather than melancholic; the arrangement asks your choir to sing with character and intention, not reserve.
- If using the brass quintet, schedule at least one sectional rehearsal with your brass players to lock ensemble entrances before the full group run-throughs.
- Build the dynamic arc toward the major key finale deliberately; resist the temptation to push volume too early, or the climax loses its impact.
- Record a reference mix of your own ensemble during rehearsals so singers can internalize the accompaniment patterns between sectionals.
How to use it
Use this as your concert's architectural anchor. The arrangement works equally well launching a program with immediate engagement or anchoring the second half after intermission, building toward that luminous major key payoff. The optional brass also makes it suitable as a finale in programs pairing instrumental and choral forces.
Skills your students will build
- Singing in minor keys with musicality and character
- Executing tonal shifts between related keys (minor to major)
- Ensemble balance with optional brass accompaniment
- Dynamic shaping across a four-minute arc
- Sight-reading medley structures with multiple melodic interjections