O Come, All Ye Faithful (arr. Jacob Narverud): Choral Instrumental Pak
As performed by Pentatonix / Arranged by Jacob Narverud
Item: 35-PK00389926
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Description
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More about this title
About the Artist: Pentatonix
Pentatonix is a five-part a cappella group known for their intricate vocal arrangements and bold reinterpretations of existing songs across multiple genres. Their work demonstrates how layered vocal production, precise tuning, and rhythmic precision can expand what a cappella ensembles achieve musically, influencing choral arrangers and directors working in contemporary styles.
Why we love this
Narverud's arrangement brings modern vocal production sensibilities to a hymn most singers already know, creating something familiar yet fresh enough to engage singers who might otherwise feel disconnected from holiday standards. The Choral Instrumental Pak format gives you flexibility to build your own voicing combinations, making it adaptable whether you're conducting five soloists or a full ensemble.
What to expect
The arrangement inhabits a middle ground between reverence and accessibility, maintaining the spiritual weight of the hymn while infusing it with the rhythmic clarity and layered textures of contemporary vocal music. You'll hear both the carol's familiar contours and a freshness that invites listeners to hear the words anew.
Who it's for
This works for choirs wanting a contemporary take on a canonical Christmas piece, as well as a cappella groups looking to expand their holiday programming with arrangement sophistication. It suits singers comfortable with blend and intonation challenges, particularly those who connect with modern vocal production aesthetics.
How to get the most out of it
- Balance the upper voices carefully during sustained harmonic sections; modern a cappella arrangements often sit higher than traditional choral writing, so ensure no voice drowns out the others.
- Layer in the rhythmic elements gradually across rehearsals. Start with voices on the melody, then add rhythmic vocalizations once the core parts lock in.
- Invest time in the transitions between sections. Narverud's arrangements typically shift texture deliberately, so make those moments intentional rather than abrupt.
How to use it
Slot this into a holiday concert where you want to bridge traditional and contemporary programming, perhaps pairing it with one purely acoustic arrangement and one with fuller production. It also serves as an effective opener or closer because it's instantly recognizable while showcasing ensemble musicianship.
Skills your students will build
- Singing within a cappella voicing structures without instrumental support
- Balancing individual voice parts within complex harmonic textures
- Executing rhythmic precision in contemporary vocal production styles
- Tuning adjustments for modern harmonic movement and unexpected chord progressions