O Christmas Tree: SATB, a cappella Choral Octavo
Traditional German Carol / arr. Kirby Shaw
Item: 00-PO-0006392
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About the Arranger: Kirby Shaw

Kirby Shaw has established himself as a towering figure in choral music education, conducting workshops and masterclasses across 45 states and numerous countries including Canada, Australia, Sweden, Italy, Spain, and Germany. He holds degrees in Music Education and Choral Composition from San Jose State University and earned his DMA in Choral Conducting from the University of Washington. His teaching philosophy blends rigorous musicianship with infectious humor and has shaped multiple award-winning vocal jazz ensembles at the College of the Siskiyous, Colorado State University, the University of Missouri at Kansas City, and Southern Oregon University.
As a prolific composer and arranger with over 2500 published works, Shaw has sold nearly 20 million copies worldwide and earned multiple ASCAP awards. His expertise spans from intimate vocal jazz mentorship (he has scatted one-on-one with Bobby McFerrin, Al Jarreau, Jon Hendricks, and others) to large-scale choral projects, including recent commissions for the Mormon Tabernacle Choir. Beyond music, Shaw and his wife Markita co-wrote an original musical adaptation of A Christmas Carol called Scroogical, and both continue to live and create in Southern Oregon.
Why we love this
Shaw's arrangement strips away the sentimental weight most singers carry into this carol and replaces it with groove, syncopation, and pure vocal joy. The a cappella vocables and steady shaker create a rhythmic machine that rehearses itself into your singers' bodies, making this an ideal piece for building ensemble precision without relying on instrumental support. It's carnival energy wrapped in a holiday package, perfect for groups that want to surprise their audience with something both recognizable and unforgettable.
What to expect
Imagine a Christmas carol that decided to attend a jazz club instead of a candlelit concert hall. The steady pulse of the shaker creates hypnotic forward motion while vocables dance and weave overhead, transforming a 19th-century melody into something that feels alive and contemporary. There's warmth in the harmony, but the energy is unmistakably fun and kinetic.
Who it's for
Choirs seeking a Christmas arrangement with contemporary groove and infectious rhythm will find this immediately rewarding to teach. Groups experienced with jazz vocabulary and comfortable with a cappella singing will unlock its full potential, though the clear harmonic writing makes it accessible to ensembles still developing those skills. This is ideal for holiday concerts, caroling ensembles, and any choir wanting to showcase personality alongside tradition.
How to get the most out of it
- Lock the rhythmic foundation by having your lower voices anchor the steady shaker pattern through the entire arrangement; this becomes the heartbeat that allows sopranos and altos to float with freedom.
- Rehearse the eight-bar introduction and interlude as percussion first, establishing crisp articulation of the vocables before layering in melodic content.
- Embrace the syncopation rather than smoothing it out; Shaw's syncopated lines are designed to feel playful and slightly unpredictable, so avoid conducting them into a straight-eighth feel.
- Capture the contemporary energy by keeping tempos brisk and vowel sounds bright; this piece lives in lightness, not legit operatic tone.
How to use it
Schedule this as an audience-energizer in your holiday concert, placing it between more traditional fare to create dramatic contrast and mood shift. It works particularly well in the second half of a program when audiences expect caroling nostalgia but encounter something fresh instead. For groups doing community caroling or holiday gigs, this arrangement signals sophistication and contemporary artistry while keeping the carol recognizable enough for any listener.
Skills your students will build
- Rhythmic precision in a cappella singing without instrumental reference
- Syncopated rhythmic reading and execution
- Vocal percussion techniques and articulation
- Jazz phrasing and contemporary vocal production
- Ensemble balance between rhythmic foundation and decorative vocal lines