O Cessate di Piagarmi (Medium High Voice), from 26 Italian Songs and Arias Cover Image

O Cessate di Piagarmi (Medium High Voice), from 26 Italian Songs and Arias: SoundTrax Digital Audio Download

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O Cessate di Piagarmi (Medium High Voice), from 26 Italian Songs and Arias Cover Image

O Cessate di Piagarmi (Medium High Voice), from 26 Italian Songs and Arias: SoundTrax Digital Audio Download

Ed. John Glenn Paton

Item: 00-A-00015813

$4.99
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Description

O Cessate di Piagarmi (Medium High Voice), from 26 Italian Songs and Arias: SoundTrax Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: 26 Italian Songs and Arias
Publisher: Alfred Music
SKU: 00-A-00015813

More about this title

About the Creator: Alessandro Scarlatti

Alessandro Scarlatti (1660, 1725) was a foundational figure in Italian opera and vocal music, composing nearly 700 cantatas and over 100 operas that shaped the development of the dramatic soprano voice. His gift for lyrical melody and harmonic refinement established the expressive vocabulary that later composers would build upon, making his songs essential study for singers who want to understand the roots of bel canto style.

Why we love this

This baroque aria sits at the heart of the Italian vocal canon, offering singers a chance to work with music that demands both technical control and emotional transparency. The SoundTrax accompaniment frees you from piano accompanist logistics while letting singers focus on the expressive demands of the text and melody.

What to expect

An intimate conversation between singer and accompaniment that hovers between lament and entreaty. The harmonic language unfolds with baroque restraint, creating emotional weight through melodic contour and text rather than orchestral color.

Who it's for

Voice students and professional vocalists preparing baroque and Italian repertoire. Singers working through the standard art song repertoire will find this essential for building fluency with baroque style and Italian text. It also serves teachers seeking a quality recorded accompaniment for lesson studios or performance venues.

How to get the most out of it

  • Shape the long melodic lines with breath placement that honors the phrase arcs rather than mechanical interval-by-interval phrasing.
  • Use the recorded accompaniment to establish a secure harmonic foundation, then gradually reduce reliance on it during rehearsal so your interpretation can breathe independently.
  • Balance the agitation implied by the text with vocal production that stays open and resonant; this is not a piece to sing with tension.

How to use it

Program this as a standalone art song recital selection or pair it with other Italian baroque arias to create a coherent set. It also works well in crossover concerts pairing vocal literature with instrumental baroque works.

Skills your students will build

  • Baroque style and ornamentation practice
  • Italian language diction and text expression
  • Phrasing across long melodic lines with minimal harmonic punctuation
  • Emotional restraint and expressive control within a formal structure

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