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Nutcracker Ballet (complete medium orchestration): Full Orchestra Conductor Score

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Nutcracker Ballet (complete medium orchestration) Cover Image

Nutcracker Ballet (complete medium orchestration): Full Orchestra Conductor Score

Fairy Ballet in Two Acts, Op. 71

By Peter Ilyitch Tchaikovsky, ed./arr. by William McDermott/ R. Mark Rogers

Item: 36-A935901

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Description
The Nutcracker has achieved the status of being the world's most popular and most often performed ballet. This edition, with a complete full score to accompany William McDermott's 1969 medium orchestration of the ballet with all newly engraved parts, has been edited and revised by Mark Rogers. With this publication, mid-sized ballet companies and touring groups finally have access to an affordable, quality edition of this celebrated masterpiece. A Mark Rogers edition of the McDermott's reduction for small orchestra is also available from the publisher. Instrumentation: 2 (2nd d. Picc).2 (2nd d. EH). 2 (2nd d. BCl).2: 2.2.2 (2nd BTbn).0: Timp: Perc (4): Hp: Clst: Str (4.4.3.3.3 in set).

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Additional Details
Series: Kalmus Masterworks Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270743-4
ISBN13: 979-8-89-270743-5
UPC: 659859355047
SKU: 36-A935901
Instrumentation: 2 (2nd d. Picc).2 (2nd d. EH). 2 (2nd d. BCl).2: 2.2.2 (2nd BTbn).0: Timp: Perc (4): Hp: Clst: Str (4.4.3.3.3 in set)

More about this title

About the Composer: Peter Ilyitch Tchaikovsky

Tchaikovsky's gift for orchestration transformed the ballet into a concert-hall staple long before dancers touched the stage. His ability to write melodies that lodge themselves in memory while maintaining sophisticated harmonic movement made him one of the most performed composers in the orchestral repertoire, particularly in North America.

Why we love this

McDermott's orchestration strips away nothing essential while keeping the instrumentation manageable for mid-sized ensembles; Rogers' revision and new engraving gives you a clean, professional score that doesn't compromise on Tchaikovsky's gift for orchestral color. This is The Nutcracker without the budget constraints that typically keep companies from programming it.

What to expect

Theatrical and bright without becoming heavy. The suite of dances moves between intimate character moments and grand ceremonial passages, all delivered with the orchestral sparkle that makes this ballet feel both intimate and grand in equal measure.

Who it's for

Ballet companies and touring orchestras seeking a performance edition that honors Tchaikovsky's original conception without requiring a full pit orchestra. This works equally well for concert performances where a company wants to present familiar material with fresh orchestral life.

How to get the most out of it

  • Balance the delicate toy-box moments by letting the second woodwinds and additional brass breathe without overwhelming the lighter textures.
  • The percussion section carries enormous musical weight throughout; invest rehearsal time on precision and dynamic control, especially in the march and dance numbers.
  • Shape longer melodic lines by thinking through phrase peaks rather than individual climaxes; let the architecture of Tchaikovsky's melodies guide your pacing.
  • The harp part contributes more than texture here. Keep it articulate enough that listeners hear the harmonic support it provides, particularly in Act II.

How to use it

Build an entire evening around this, or use individual movements as a conductor's showcase within a mixed orchestral program. Many companies program selections in the December calendar slot, but it also works as a spring finale that leaves audiences humming.

Skills your students will build

  • Reading and conducting a full orchestral score with multiple doublings and unusual voicings
  • Balancing transparent orchestration across four percussion chairs
  • Shaping character dances that demand rhythmic precision alongside musical expressiveness
  • Managing tempo and pacing across extended sections without metronomic stiffness
  • Blending a full harp part into orchestral textures without letting it dominate the mix

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