Now Thank We All Our God (arr. Heather Sorenson) Sheet Music Preview

Now Thank We All Our God (arr. Heather Sorenson): SATB Choral Octavo

By Johann Cruger / Arranged by Heather Sorenson

Item: 35-DS01225230

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01225230

More about this title

About the Composer: Johann Cruger

Johann Crüger (1598–1662) was a German Lutheran cantor and hymn writer whose compositions shaped the sound of Protestant worship across centuries. As cantor of St. Nikolai Church in Berlin for nearly four decades, he created hymn melodies of remarkable durability; many remain in active use in churches worldwide. His gift lay in writing singable, memorable lines that could carry theological weight without sacrificing accessibility.

Crüger understood that a good hymn tune needed to balance congregational simplicity with harmonic richness. His melodies sit naturally in voices and reward both unison singing and four-part arrangement. "Now Thank We All Our God," paired with the text by Martin Behm, exemplifies this philosophy: it is simultaneously profound and direct, a tune that has endured precisely because it serves the music and the message with equal skill.

Why we love this

Heather Sorenson's arrangement honors the hymn's stately character while unlocking fresh harmonic territory. The ten-page setting avoids both stolid block chords and gratuitous complication; instead, it lets voices bloom in conversation with one another while anchoring the familiar tune where singers need it most. This is the kind of sacred arrangement that feels both contemporary and timeless in a single rehearsal.

What to expect

Gratitude expressed with grace and restraint. The arrangement builds warmth without rushing into sentiment; there is contemplative space alongside moments of fuller ensemble sound. Singing it creates a sense of communal belonging rooted in something larger than the moment.

Who it's for

Any SATB choir seeking a substantial sacred piece that bridges congregational familiarity with artistic depth. This works equally well for church choirs, college singers, community ensembles, and festival performances where both singers and listeners recognize the text and tune.

How to get the most out of it

  • Identify where the melody migrates between voice parts; sopranos shouldn't assume they carry the tune throughout. Mark the transitions clearly and drill them as a full section to ensure smooth handoffs.
  • Shape the harmonic progressions by listening for voice-leading independence rather than locking all voices into the same rhythmic pattern. This arrangement rewards attention to inner voice motion.
  • Determine your tempo early and stay consistent across sections. This hymn's dignity demands a steady pulse; rushing undermines its character.

How to use it

Position this near the closing of a sacred or seasonal concert, where its familiar melody and grateful text create natural resolution. It pairs naturally with other Reformation-era chorales or with settings of doxologies and thanksgiving texts. Consider programming it around harvest, Thanksgiving, or end-of-year services where the text becomes especially meaningful.

Skills your students will build

  • Tracking melodic material as it shifts across voice parts
  • Balancing SATB texture with inner-voice independence
  • Sustaining steady tempo while executing harmonic changes
  • Approaching arrangement with historical context and performance dignity

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