(Now And Then There's) A Fool Such As I (arr. Aaron Dale): TTBB Choral Octavo

Warm, vintage, and gently ironic. This arrangement channels the easy confidence of mid-century barbershop style, with close harmonies that create an intimate sound even in a larger ensemble. There's a lighthearted charm to the piece that invites singers and audiences alike into the joke.

Barbershop quartets looking to expand their repertoire with an ensemble arrangement, high school or community choirs seeking accessible popular standards, and male vocal groups interested in the genre's harmonic language without excessive complexity.

• Balance the melody line so it sits comfortably above the supporting voices; barbershop style depends on hearing the tune clearly while maintaining smooth harmonic support underneath.
• Pay special attention to the vowel shapes at cadential moments, where the four-part harmony needs precise intonation to achieve the classic barbershop "ring."
• Let the rhythmic precision of the rhythm section (if you're adding accompaniment) lock in first, then build the vocal lines on top of that foundation.

Pair this with other American standards or pop arrangements on a concert celebrating mid-century songwriting, or use it as a palate cleanser between more serious choral works. The barbershop style and modest page count make it ideal for community performances and informal concerts where you want something engaging and immediately familiar.

• Barbershop harmonic style and characteristic voice leading
• Precise vowel alignment for blend and chord tuning
• Flexible voicing navigation (reading and singing across multiple divisi options)
• Stylistic interpretation of mid-century popular song in ensemble context