Novelette In Fourths Cover Image

Novelette In Fourths: Conductor Score & Parts

$4.95 USD
Sale price  $4.95 USD Regular price 
Skip to product information
Novelette In Fourths Cover Image

Novelette In Fourths: Conductor Score & Parts

By George Gershwin

Item: 36-M388291

$4.95
Shipped

One moment…

Description
Transcribed and edited by Richard Dowling.  First Edition.  As played by George Gershwin on Welte-Mignon Piano Roll #3968, mid-1919.  Includes biographical information about the composer and his relationship to the player piano.

Novelette In Fourths: Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887233-3
ISBN13: 978-1-63-887233-7
UPC: 660355184727
SKU: 36-M388291
Instrumentation: Solo Piano

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical and popular music with a fluency that few composers have matched. His facility at the keyboard shaped his compositional voice; he was as comfortable improvising jazz idioms as he was writing for the concert hall, and this duality defined much of his creative output.

Gershwin's relationship with mechanical piano technology reflects the broader cultural moment of the 1910s and 1920s, when player piano rolls documented performances by major artists in real time. His 1919 Welte-Mignon roll captured not just the notes but his interpretive choices, personal rubato, and the rhythmic flexibility that characterize his pianistic approach. These recordings offer educators and performers direct insight into how Gershwin himself voiced and paced his own works.

Why we love this

This transcription grants access to Gershwin's actual performance choices on a piece that exists nowhere else in his catalog. Richard Dowling's editorial work honors the original 1919 roll while making the piece playable in a contemporary recital setting, allowing pianists to step into a documented moment of Gershwin at the keyboard without historical guesswork.

What to expect

A refined, conversational work that moves with the ease of someone thinking in fourths and jazz harmonies. The piece unfolds with the intimacy of a salon piece but carries the harmonic sophistication and subtle rhythmic sophistication that distinguish Gershwin's mature keyboard writing.

Who it's for

Advanced pianists and serious students seeking to explore Gershwin's keyboard writing through an authentic performance document. Teachers building recital programs around American music or the intersection of jazz and concert traditions will find this a compelling anchor piece.

How to get the most out of it

  • Study the tempo and rhythmic nuances preserved from the Welte-Mignon roll; Gershwin's approach to rubato in the fourths passages shapes the piece's character and should not be flattened into mechanical regularity.
  • Emphasize the linear clarity of the fourth-based harmonic language; these intervals have their own acoustic weight and can muddy quickly if pedal is overused.
  • Reference Gershwin's own jazz recordings and concert performances when shaping phrasing; this piece sits at the intersection of salon miniature and vernacular idiom.

How to use it

Program this as a bridge piece between a larger Gershwin work and classical repertoire, or feature it in a recital devoted to American composers at the keyboard. Its brevity and distinctive harmonic language make it an excellent encore or a centerpiece for a lecture-recital about mechanical piano documentation.

Skills your students will build

  • Interpreting historical performance documents from piano rolls
  • Voice leading using quartal harmony
  • Jazz-inflected rubato and rhythmic flexibility in a classical context
  • Balancing melodic clarity with harmonic color in the middle to upper register

You May Also Like