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Notturno for Horn (Viola) and Strings: Strings Score

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Notturno for Horn (Viola) and Strings Cover Image

Notturno for Horn (Viola) and Strings: Strings Score

By Harald Genzmer

Level: Advanced

Item: 98-EP8106

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Notturno for Horn (Viola) and Strings by Harald Genzmer.

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Additional Details
Series: Edition Peters
Publisher: EDITION PETERS
Page Count: 12
ISBN10: 0-01-406015-9
ISBN13: 979-0-01-406015-2
SKU: 98-EP8106

More about this title

About the Composer: Harald Genzmer

Harald Genzmer (1909-2007) was a German composer and pedagogue whose catalog spans orchestral, chamber, and educational works. His compositional approach balanced modern harmonic language with lyrical melodic writing, making his pieces accessible without sacrificing sophistication. Genzmer's prolific output for wind and string ensembles reflects his deep understanding of ensemble pedagogy and his commitment to expanding the repertoire for student and amateur musicians.

Why we love this

Genzmer's Notturno sits at that sweet spot where advanced technique meets genuine lyricism. The horn (or viola) part demands expressive control and secure intonation while the string writing provides rich harmonic support without overwhelming the soloist. This is the kind of piece that gives your advanced students a chance to sing through their instruments without relying on flashy passagework.

What to expect

A quiet evening conversation between soloist and ensemble. The writing evokes introspection and intimacy; the horn's singing line floats over gentle string textures with occasional moments of warmth where the full group swells briefly before returning to that contemplative space.

Who it's for

Advanced high school or college string ensembles with a skilled solo hornist (or violist) ready for a substantial chamber work. This score works equally well for youth orchestras and community ensembles seeking repertoire that showcases a soloist while keeping the ensemble musically engaged.

How to get the most out of it

  • Shape the solo line across entire phrases rather than note to note; the nocturne form thrives on long-line legato phrasing that lets harmonic movement unfold naturally.
  • Balance the horn (or viola) to sit comfortably above the strings without forcing; Genzmer's orchestration supports the soloist when voicings are respected.
  • Establish a stable, singing tempo in the opening and resist the urge to rush through section transitions; the piece's emotional weight depends on breathing room.

How to use it

Perfect as a chamber concerto feature on a spring concert or as an elegant opening to a pops program that needs breathing room. The 12-page length makes it a substantial but manageable addition to a concert program with mixed repertoire.

Skills your students will build

  • Sustained legato phrasing across long melodic lines
  • Intonation control at advanced dynamic levels
  • Balancing a solo voice within an ensemble texture
  • Responding to harmonic movement and harmonic rhythm
  • Musical communication between soloist and accompaniment

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